Citations with the tag: WAR in art

Results 1 - 50

  • Depictions of war.
    Hubbard, Guy // Arts & Activities; Jun/Summer96, Vol. 119 Issue 5, p18 

    Focuses on the depiction of war in art. Paintings dealing with wars; Commemoration of victories through art; Dramatization of battlefields.

  • Introduction: Visual Culture and National Identity.
    Curzon, Lucy // Invisible Culture; Winter2003, Issue 5, Special section p1 

    An introduction to the journal is presented in which the editor discusses various reports published within the issue including one by J. T. H. Connor and Michael G. Rhode analyzing painting and photographs of the casulaties during the American Civil War, another by Daniela Sandler investigating...

  • War paint.
    Feaver, William; Saunders, Frances Stonors // New Statesman; 11/27/2000, Vol. 129 Issue 4514, p38 

    Presents information on several forms of war art. `A Battery Shelled,' a painting by Wyndham Lewis; `New Subject,' a painting by Wyndham Lewis; `Britain at War,' an exhibit at the Museum of Modern Art.

  • Henry Tonks's war pictures.
    Moore, Jane // BMJ: British Medical Journal (Overseas & Retired Doctors Edition; 1/15/2011, Vol. 342 Issue 7789, p175 

    The article offers a look at the depiction of war in the paintings and drawings created by Henry Tonks.

  • Counting the Fallen.
    Hammond, Jane // Art in America; Jun/Jul2008, Vol. 96 Issue 6, p34 

    A letter to the editor is presented in response to an article regarding the art installation "Fallen," from the April 2008 issue.

  • DEHN.
    Watson, Ernest W. // American Artist; Mar1944, Vol. 8 Issue 3, p27 

    The article extols the historical value of art works depicting a pictorial record of war such as the paintings of Adolph Dehn.

  • Art of flight.
    Whelan, Brooks // Aviation History; May98, Vol. 8 Issue 5, p62 

    Presents the author's painting, depicting a 1941 airplane combat incident in Batangas, Philippines involving Filipino and Japanese pilots. Background information on the incident; Purpose of the painting; Features of the painting.

  • Trigger-happy: An evolutionary study of the origins and...
    Clarke, I.F. // Journal of Social & Evolutionary Systems; 1997, Vol. 20 Issue 2, p117 

    Explores the tale of future war in modern fiction. First major example of tales of the war of the future; Monodic nature of the future war story; Initial formulation of the evolutionary process of the advent of future war fiction; Author's view about the reality of war-to-come fiction and the...

  • Unbearable witness.
    Payne, Carole // CMAJ: Canadian Medical Association Journal; 10/31/2000, Vol. 163 Issue 9, p1176 

    Reviews 'Facing Death: Portraits from Cambodia's Killing Fields,' an exhibition of photographs on view until January 2001 at the Canadian Museum of Contemporary Photography in Ottawa, Ontario.

  • A QUESTION OF EVIDENCE.
    S. S. // Art Review; Jan2009, Issue 29, p25 

    The article reviews the exhibition "A Question of Evidence," at the TBA21 gallery in Vienna, Austria on April 5, 2009.

  • KEN DALLISON THE EDUCATION OF AN ILLUSTRATOR.
    MEGLIN, NICK // American Artist; Nov1971, Vol. 35 Issue 352, p24 

    The article features illustrator Ken Dallison. He was born in England in 1933. When Dallison draws, he approaches his subject by studying it and incorporating what he has learned about it into his work. When he did a series of drawings of World War II planes for "Air Progress" magazine, Dallison...

  • The art of impending doom.
    Lortie, Bret // Bulletin of the Atomic Scientists; Jan/Feb2001, Vol. 57 Issue 1, p7 

    Reports on the availability of the paintings of Doctor Art Nuko about nuclear warfare on the Internet as of October 2001. Purpose of the world tour of the paintings; Countries where the paintings were shown; Factors which stopped the world tour of the paintings.

  • The art of war: Is the truth about Bosnia found in the camera's lens or the mind's eye?
    Vulliamy, Ed // New Statesman; 04/25/97, Vol. 126 Issue 4331, p40 

    Analyzes the representation and interpretation of war in the photographs by Tom Stoddart and in the paintings by Peter Howson. Howson's focus on violence and pity; Stoddart's focus on defiance and dignity; Review of Howson's painting `Under the Siege' and `Coming Storm'; Advantages of...

  • Baghdad Comes To Venice Art Fair.
    LIPKE, DAVID // WWD: Women's Wear Daily; 6/2/2011, Vol. 201 Issue 113, p4b 

    The article informs the artist Ahmed Alsoudani will showcase his art works at three venues during the art fair titled 54th Venice Biennale to be held in Venice, Italy. It is mentioned that his works would be displayed at an exhibition titled 'The Future of Promise," a show called 'World Belongs...

  • War Subjects (Battlefield).
    LIPKE, DAVID // Massachusetts Review; Autumn/Winter2011, Vol. 52 Issue 3/4, p474 

    An image of the artwork "War Subjects (Battlefield)" by Faith Wilding is presented.

  • Westermann's Death Ships.
    Rubinstein, Raphael // Art in America; May2000, Vol. 88 Issue 5, p140 

    Highlights the 2000 exhibit of artist H.C. Westermann's work at Lennon Weinberg Gallery in New York City. Westermann's obsession with death at sea; Westermann's illustration of his experiences during World War II in his artwork; Imagery of carriers and attacking airplanes; Westermann's argument...

  • Memorial to the Iraq War/Fallujah.
    O'Reilly, Sally // Art Monthly; Jul2007, Issue 308, p41 

    The article reviews the exhibitions "Memorial to the Iraq War," at ICA in London, England from May 23-June 27, 2007 and "Fallujah," at the Old Truman Brewery in London, England from May 1-June 2, 2007.

  • WAR'S GLORIOUS ART.
    Young, Edward // Book of Epigrams; 1/1/1902, p47 

    The poem "War's Glorious Art," by Edward Young, is presented. First Line: One to destroy is murder by the law, Last Line: War's Glorious art, and gives immortal Fame.

  • War Is Heaven.
    Grossberger, Lewis // MediaWeek; 05/28/2001, Vol. 11 Issue 22, p40 

    Recommends several story concepts based on wars in history that could be made into motion pictures. Actors and actresses in the United States who would be included in the movies; Discussion on the military-industrial-entertainment complex.

  • VETERANS USE WAR EXPERIENCES AS CREATIVE FUEL FOR ART.
    Dance, Brianna // Outlook: Columbus; Oct2010, Vol. 15 Issue 5, p50 

    The article reviews the exhibition "Visualizing the Experiences of War" at the Ohio State University (OSU) Urban Arts Space in Columbus, Ohio from July 29-October 23, 2010.

  • OF WAR AND REGENERATION.
    Abley, Mark // Canadian Geographic; Nov/Dec2005, Vol. 125 Issue 6, p58 

    This article presents information on the Canadian War Museum, designed by Raymond Moriyama. In administrative terms, the Canadian War Museum is linked to the Canadian Museum of Civilization, housed across the river in Gatineau, Que. Both fall under the Department of Canadian Heritage. The...

  • PARIS: St�phane Pencr�ac'h at Anne de Villepoix.
    Franklin, Paul B. // Art in America; Dec2005, Vol. 93 Issue 11, p158 

    The article reviews the exhibition "Sublimation: Life During War," at the Anne de Villepoix in Paris, France.

  • Shirt Happens.
    Ivinski, Pamela A. // Print; Sep/Oct99, Vol. 53 Issue 5, p18 

    Focuses on war-related protest shirts worn by Serbs and Chinese. What the shirt makers' choice of English as language of expression suggests; Slogans featured on the fashions from Stella McCartney; Information on the photographs of volunteers in war in Belgrade, Yugoslavia.

  • A LANDSCAPE OF VIOLENCE.
    KEELEY, KASIA // Afterimage; Jul-Aug2011, Vol. 39 Issue 1/2, p83 

    The article reviews the art exhibition "Miseries and Vengeance," featuring the installation art of Millie Chen, at the Albright-Knox Art Gallery in Buffalo, New York, from February 18th through June 5, 2011.

  • ART OF ENGAGEMENT.
    vanMEENEN, KAREN // Afterimage; Jul-Aug2011, Vol. 39 Issue 1/2, p86 

    The article reviews the art exhibition "Art of War," featuring various artists including Walid Ra'ad, Carlos Motta and Tom Nicholson, at the CEPA Gallery in Buffalo, New York, from June 19th through August 22, 2010.

  • In from the cold.
    Davies, Christie // New Criterion; Dec2008, Vol. 27 Issue 4, p48 

    The article reviews the exhibition "Cold War Modern: Design 1945-1979" at the Victoria & Albert Museum in London, England from September 25, 2008 through January 11, 2009.

  • Appendix XVIII: Plates 88-107.
    Raad, Walid // Art Journal; Fall2010, Vol. 69 Issue 3, p7 

    In this article the author discusses the impact of the Lebanese wars of the 20th and 21st centuries on Lebanese residents and the culture of the Arab World, including its art. The author mentions burned books, razed public structures, and looted treasures and introduces a series of 12 plates of...

  • Topographies de la guerre.
    Ardenne, Paul // Art-Press; nov2011, Issue 383, p08 

    The article reviews the exhibition "Topographies de la guerre," featuring images of war by artists including Philippe Bazin and Walid Raad, curated by Jean-Yves Jouannais, held at the Le Bal gallery in Paris, France from September 17 to December 18, 2011.

  • Topographies de la guerre.
    Ardenne, Paul; Torgoff, L-S // Art-Press; nov2011, Issue 383, p09 

    The article reviews the exhibition "Topographies de la guerre," featuring images of war by artists including Philippe Bazin and Walid Raad, curated by Jean-Yves Jouannais, held at the Le Bal gallery in Paris, France from September 17 to December 18, 2011.

  • Portraying Maneuvers and Mock Battles.
    Harrington, Peter // MHQ: Quarterly Journal of Military History; Spring2007, Vol. 19 Issue 3, p76 

    The article discusses the depiction and representation of warfare in art works. Capturing scenes of actual battles are hard to accomplish and artists look for opportunities to view war in more peaceful circumstances. Mock battles provided artists a view of soldiers in combat without the risk of...

  • Showing Too Much of the Horrors of War.
    Toler, Pamela D. // MHQ: Quarterly Journal of Military History; Winter2008, Vol. 20 Issue 2, p90 

    The article focuses on the realistic portrayals of the wars by Frank Brangwyn, one of the most famous artists of the early twentieth century. It claims that Brangwyn brought sympathetic portrayal and dramatic composition to the recruiting posters he designed for the British Parliamentary...

  • THE PUBLIC WANTS TO KNOW.
    Toler, Pamela D. // American Artist; Mar1943, Vol. 7 Issue 3, p22 

    The article features U.S. schools with art department activities related to war effort as of 1943. The Teachers College of Connecticut at New Britain prepared activities connected with the war effort such as camouflage, propaganda and costumes. At the Senior High School of New Castle,...

  • Brushes with war.
    Toler, Pamela D. // Canada's History; 2010, Vol. 90 Issue 3, p36 

    The article discusses the paintings of Edward "Ted" Zuber, who was a member of the Royal Canadian Regiment that fought in the Korean war.

  • FROM ACROSS THE GENERATIONS, A GRAND GIFT OF ENDURING FACES.
    HARTSELL, MARK // Library of Congress Information Bulletin; Apr2011, Vol. 70 Issue 4, p346 

    The article reports that the Tom Liljenquist family's donation of civil war images constitutes an invaluable addition to the Library of Congress, which in turn will provide the best care and online worldwide access to the photographs. The collection consists of images of Union and Confederate...

  • War crimes.
    Hartigan, Philip // U.S. Catholic; Sep2006, Vol. 71 Issue 9, p51 

    The article describes Francisco Goya's painting on the atrocity of war. It commemorates the execution of the citizens of Madrid, Spain who rose up against the Napoleonic invaders in 1808. It has been called the first European painting to depict the raw killing of war. Everything about it is...

  • A tour among the evangelicals.
    Stackhouse Jr., J.G. // Christian Century; 5/17/89-5/24/89, Vol. 106 Issue 17, p529 

    Book review of `Mine Eyes Have Seen the Glory: A Journey into the Evangelical Subculture of America,' by Randall Balmer.

  • Drawing the Future from the Past.
    Khamvongsa, Channapha // Foreign Policy in Focus; 12/5/2008, p2 

    The article focuses on the Legacies of War, a project intended to raise awareness about the history of the Vietnam War-era in Laos. About 30% of the cluster bombs dropped by the U.S. in Laos failed to detonate, leaving extensive contamination from unexploded ordnance in the country....

  • War and Peace: An Epic Mural.
    Kyi May Kaung // Foreign Policy in Focus; 12/5/2008, p3 

    The article focuses on Vietnamese artist Huong and her works portraying mothers and children. In "Of Her Treasure," a woman holds a bowl of her menfolk's bones, while "The Wedding Gift" displays a tormented bride in good-luck red. Huong speaks in earthy voice and full of self-depreciating humor....

  • A pair of comrades in arms.
    Sterritt, David // Christian Science Monitor; 12/31/98, Vol. 91 Issue 25, p13 

    Reviews two motion pictures about war. `Saving Private Ryan,' by Steven Spielberg; `The Thin Red Line,' by Terrence Malick. INSET: A sporadic, singular career.

  • History bookshelf.
    Sterritt, David // American History Illustrated; Mar/Apr94, Vol. 29 Issue 1, p23 

    Reviews the book `Mine Eyes Have Seen the Glory: The Civil War in Art,' by Mark E. Neely Jr. and Harold Holzer.

  • The Gored Ox.
    Sterritt, David // America; 2/6/1915, Vol. 12 Issue 17, p415 

    The article declares the apothegm which affirms that much in one's final conclusions depends upon one's initial point of view. It relates how a cartoonist sketched historians in the act of compiling stories of the war. It describes the cartoonist's work as good advice but that "America" is...

  • Evangelicals without hype.
    Garvey, M.O. // Commonweal; 11/3/89, Vol. 116 Issue 19, p600 

    Reviews the travelogue `Mine Eyes Have Seen the Glory: A Journey into the Evangelical Subculture of America,' by Randall Balmer.

  • Best raid plans.
    Harry, Lou // Indianapolis Business Journal; 7/4/2011, Vol. 32 Issue 18, p37 

    In this article the author discusses the new interactive exhibition "1863 Civil War Journey: Raid on Indiana" at Conner Prairie in Fishers, Indiana. He relates his experience in visiting Conner Prairie to see the exhibition. He describes things he found inside the outdoor living history museum...

  • Editors' choice.
    Harry, Lou // American Heritage; Apr94, Vol. 45 Issue 2, p126 

    Reviews the book `Mine Eyes Have Seen the Glory: The Civil War in Art,' by Harold Holzer and Mark E. Neely.

  • Cracking the Color Code.
    Bartges, Dan // Arts & Activities; Sep2010, Vol. 148 Issue 1, p31 

    The article presents a guide for art teachers to help students develop their color competency and stay motivated to paint. Students can access the website www.artsandactivities.com, click on the Cracking the Color Code icon and learn about the featured paintings of the month on the interactive...

  • CARTOONS.
    Bartges, Dan // New York Times Upfront; 5/5/2008, Vol. 140 Issue 14, p31 

    Several political cartoons and caricatures from different publications are presented, including cartoons about graduation, the separation of church and state, and war.

  • Portraits of Patriotism.
    Swan, Patrick // Soldiers; Sep2000, Vol. 55 Issue 9, p50 

    Offers information on a painting by James Walker which depicted the final drive of the troops of MG Winfield Scott to capture the Mexican capital during the United States-Mexican War that began in 1846. Reasons for the start of the war; Terms of the treaty of 1848.

  • The AAA guide to the evangelical heartland.
    Cryderman, L. // Christianity Today; 4/23/90, Vol. 34 Issue 7, p54 

    Reviews the book `Mine Eyes Have Seen the Glory: A Journey into the Evangelical Subculture in America,' by Randall Balmer.

  • Book reviews.
    Flowers, Ronald B. // Journal of Church & State; Spring90, Vol. 32 Issue 2, p426 

    Reviews the book `Mine Eyes Have Seen the Glory: A Journey into the Evangelical Subculture,' by Randall Balmer.

  • JOHN VOGT.
    Fallon, Michael // Art Papers Magazine; Nov/Dec2008, Vol. 32 Issue 6, p65 

    The article reviews the exhibition "Paper Tiger," by John Vogt at the Soo Visual Art Center in Minneapolis, Minnesota from September 1 to October 26, 2008.

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