Citations with the tag: MOTION picture authorship

Results 1 - 50

• Hartley-Merrill gala honors scribes.
  Kowalski, Eileen // Daily Variety; 6/25/2001, Vol. 272 Issue 16, p15 

  Reports on the 12th annual Hartley-Merrill International Screenwriting Gala held at the WGA Theater in Los Angeles, California. Top film writers who attended the occasion; Event highlights.

• Florida man takes top honors in Az. screenwriting contest.
  Rademacher, Kevin // Inside Tucson Business; 08/31/98, Vol. 8 Issue 23, p10 

  Highlights the 1998 annual Film in Arizona Screenwriting Competition. Arizona-based script generation; Awareness of the state as a filming location; Winners in the competition.

• Three scripts.
  Hoolboom, Mike // Journal of Film & Video; Fall97, Vol. 49 Issue 3, p38 

  Focuses on teaching writing for dramatic, fictional films in traditional screenwriting classes. Details on the teaching writing for films; What students do during these classes; What encourage students to think about the kind of writing experimental filmmakers do.

• Screenwriting contest opens.
  Hoolboom, Mike // Inside Tucson Business; 5/5/97, Vol. 7 Issue 6, p13 

  Announces the Arizona Film Commission's call for entries to the Film in Arizona Screenwriting Competition, designed to promote location filming in the state. Contest rules; Deadline for submission of entries; Contact information.

• Nicholls get record entries.
  Hoolboom, Mike // Daily Variety; 6/20/2003, Vol. 279 Issue 53, p41 

  Presents the number of entries for the Don and Gee Nicholl Fellowships in Screenwriting received by the Motion Picture Academy in the U.S. Amount of the awards given by the association; Citation of the 2002 fellows.

• ADDITIONAL WRITING.
  GINSBURG, AARON // Script (10922016); Mar/Apr2009, Vol. 15 Issue 2, p76 

  A personal narrative is presented which explores the author's experience of writing the script for a film which was screened at the Sundance Film Festival.

• Writing for the Screen...Some thoughts on Dialogue.
  Shadoian, Jack // Literature Film Quarterly; 1981, Vol. 9 Issue 2, p85 

  Discusses the concept of dialogues in screenwriting. Description of the use of dialogue in films; Details on how screen dialogue offers contradictory attitudes towards language; Impact of dialogues on film characters and images.

• Boot camp for local scribes.
  Calder, Peter // Variety; 12/24/2001, Vol. 385 Issue 6, p10 

  Provides information on the workshop and screenwriting laboratory launched by the New Zealand Writers Foundation, as of December 2001. Objective of the effort; Writers who have participated in the events.

• New scribes drawn to contest.
  Maynard, Kevin // Daily Variety; 7/12/2001, Vol. 272 Issue 28, pA5 

  Focuses on the Outfest Screenwriting Competition in Los Angeles, California. Objective of the competition; Benefits offered to the gay community; Comments from previous nominees.

• No-Sweat Test Prep.
  Maynard, Kevin // Scholastic Scope; 3/23/2009, Vol. 57 Issue 14, p12 

  A quiz concerning the scenes of the play "The Day the Earth Stood Still" is presented.

• Untitled.
  French, Sean // New Statesman & Society; 5/13/94, Vol. 7 Issue 302, p35 

  Discusses aspects of movie screenwriting. Delivery of unforgettable lines in dialogues; Advice of author Richard Curtis on writing screenplays; Brevity of time spent for writing Hollywood masterpieces and musical compositions of classical masters.

• WGF pens scribes for event.
  McNary, Dave // Daily Variety; 4/10/2002, Vol. 275 Issue 29, p29 

  Presents the speakers list for the showcase 'Words Into Pictures' sponsored by the Writers Guild Foundation.

• Journalist-scripters mull moral dilemmas.
  McNary, Dave // Variety; 9/18/95, Vol. 360 Issue 7, p4 

  Reports on the moral dilemma facing journalists turned movie scriptwriters. Concerns on the conflict of interests between the two trades; Comments from scriptwriters.

• Calendar.
  McNary, Dave // Canadian Screenwriter; Spring2008, Vol. 10 Issue 2, p37 

  A calendar of screenwriting events for the Canada area from March 15 to May 2, 2008 is presented including Canwest Alberta Fund Deadline, Robert McKee's Story Seminar in Toronto, Ontario and the Summer Institute of Film and Television in Ottawa.

• Events.
  McNary, Dave // Hollywood Reporter; 7/11/95, Vol. 338 Issue 1, p51 

  Presents a list of scriptwriting activities for motion pictures scheduled for July 11, 1995 in the United States. Comedy Songwriting Workshop; `Writing the First Novel: Online Workshop' and `Interactive Story Structure.'

• H'wood's early birds get the bookworms.
  Hindes, Andrew // Variety; 10/2/95, Vol. 360 Issue 9, p13 

  Reports on the snap purchasing decisions of film producers to acquire story rights of books to beat out competitors in Hollywood, California. Risk involved in the sudden purchasing of story rights; Necessity for success rate evaluation for the literary rights; Twentieth Century Fox's...

• From The Editor.
  Miller, William // Journal of Film & Video; Summer84, Vol. 36 Issue 3, p3 

  The article discusses various reports published within the issue, including the scholarly aspects of scripts and screenwriting by Leonard Leff and advice to achieve successful screenwriting by Malvin Wald.

• Screen testy.
  Richler, Mordecai // Saturday Night; Nov97, Vol. 112 Issue 9, p37 

  Opinion. Illustrates the author's narrative of writing screenplays. Brief account of the author's favorite Hollywood stories; Screenplays written by the author in the late 1950s that he is willing to acknowledge; Experience encountered by the author in working on the script for a comedy called...

• Coin a comic title -- and win.
  Richler, Mordecai // Onfilm; Oct2012, Vol. 29 Issue 9, p5 

  The article offers information on Kathryn Burnett's "Beginners' Guide to Screenwriting Workshop" to be held on November 3 and 4, 2012 in Auckand, New Zealand.

• UK Scriptwriters' Podcast.
  Richler, Mordecai // movieScope Magazine; Mar/Apr2011, Issue 21, p9 

  The article offers information on a podcast of scriptwriters in Great Britain, which is created by director Tim Clague and script reader Danny Stack.

• CREDIT GRAB.
  Friend, Tad // New Yorker; 10/20/2003, Vol. 79 Issue 31, p160 

  Examines the status of screenwriting in the United States. Notable screenwriters in the country; Controversies surrounding credits for screenwriting in the motion picture industry; Process undergone by screenwriters to get their pieces directed and get the credit for the work.

• The `How to Write the Best Ever Screenplay' book biz.
  Horton, Andrew // Cineaste; Dec92, Vol. 19 Issue 2/3, p12 

  Examines several books on scriptwriting. Features of the book `Alternative Scriptwriting: Writing Beyond the Rules,' by Ken Dancyger and Jeff Rush; Features of the book `Screenplay: The Foundations of Screenwriting,' by Syd Field; Three major problems with scriptwriting books.

• Solinas fetes Italo scribes.
  Young, Deborah // Variety; 10/14/96, Vol. 364 Issue 11, p36 

  Reports on the 1996 Premio Solinas scriptwriting contest held in Sardinia, Italy. Name of winners.

• H'W'D SCRIBE TRIBE IS FEELING THE HEAT.
  McNary, Dave // Variety; 8/26/2002, Vol. 388 Issue 2, p9 

  Reports on the challenges facing scriptwriters in the U.S. Number of months it takes to finish a script for B-level writers; Reason of writers for writing for free; Idea behind micromanaging a script; Increase in the earnings of writers in 2001.

• New Disney fund has the write stuff.
  Frook, John Evan // Variety; 1/10/94, Vol. 353 Issue 10, p40 

  Reports on a screenwriting program at the Iowa Writers Workshop to be funded by Walt Disney Studios. Supervision by writer Gary Ross; Literary community graduates; Cash prize for workshop fellow for a full-length screenplay; Discretionary fund for workshop; Suggestion of screenwriting program;...

• Spec market shakeup.
  Frook, John Evan // Variety; 1/24/94, Vol. 353 Issue 12, p4 

  Reports on the filmscripts market for January 16 to January 17, 1994. Statistical information; Contracting parties; `Coma Guy';`The French Teacher'; `Common Ground'; `Silo'; `The Gray Zone'; `Clean and Sober'; `The Bath'; `Journey's End.'

• THE ULTIMATE OSCAR WRITER QUIZ.
  Verini, Bob // Daily Variety; 1/2/2008, Vol. 297 Issue 66, pA14 

  A quiz about motion picture scripts is presented.

• LOOKING IN FROM THE OUTSIDE.
  Enders, Mark // Metro; Winter2002, Issue 133, p278 

  Presents the author's reflections on his career as a screenwriter in Australia. Ways in which completing a screenplay is both satisfying and unfulfilling; Author's lack of industry-specific training; Discussions with a feature film director that helped the author develop as a screenwriter.

• Sundance sets Brazil script lab.
  Enders, Mark // Variety; 05/28/2001, Vol. 383 Issue 2, p62 

  Focuses on the fifth edition of the Sundance annual Brazilian screenwriters' lab on June 6-9, 2001.

• H'wood coin turns scribes into suits.
  Levin, Gary // Variety; 1/8/96, Vol. 361 Issue 9, p1 

  Reports on scribes' negotiations for film, television, multimedia and merchandising rights. Studios' loss of control on bestseller source material; Clout factor; Multimedia as the newest battleground in the broader rights issue; Changes in book distribution.

• The wicker man and others.
  Shaffer, Anthony // Sight & Sound; Aug95, Vol. 5 Issue 8, p28 

  Focuses on the author's views about screenwriting and working with film directors. Lack of recognition given to screenwriters despite the popularity of their movies; Examples of famous dialogues written by screenwriters for movies; Lack of publicity of screenwriters compared to stars and...

• 2006 Editorial Calendar.
  Shaffer, Anthony // Hollywood Scriptwriter; Dec2005, Vol. 25 Issue 6, p49 

  The article provides an overview of the 2006 editorial calendar of "Hollywood Scriptwriter."

• IS THIS AARON GINSBURG?
  Ginsburg, Aaron // Script (10922016); Jan/Feb2008, Vol. 14 Issue 1, p98 

  A personal narrative is presented which explores the author's experience of screen writing.

• Q & A: DAVE TROTTER.
  Ginsburg, Aaron // Script (10922016); Sep/Oct2010, Vol. 16 Issue 5, p14 

  The article provides an answer to a question of whether there are any special format rules for writing a flashback.

• QUESTIONABLE ADVICE.
  Ginsburg, Aaron // Script (10922016); Sep/Oct2010, Vol. 16 Issue 5, p16 

  The article presents questions and answers related to script writing, including how to make a script irresistible to a director, what to do with a script that is remarkably similar to another film, and the type of music ideal for script writing.

• Editor's Note.
  Orgoske, Leon // Writers' Journal; Mar/Apr2011, Vol. 32 Issue 2, p2 

  An introduction to the journal is presented in which the editor discusses various articles published within the issue including one by Gilda F. Bryant on the writers' guide for proper use of sidebars, one by Sara Jackson on storyboard hints to visually organize a screenplay, and one by Laurie...

• THREE WINNING PITCHES.
  Orgoske, Leon // Entertainment Weekly; Fall2000 Showbiz Special, Issue 565, p142 

  Presents information on the winners in the screenwriting contest sponsored by `Entertainment Weekly' and EW.com.

• Get Behind the Camera.
  Mellott, Shelly // Script (10922016); Mar/Apr2010, Vol. 16 Issue 2, p6 

  An introduction is presented in which the editor discusses topics related to screenwriters and writer-directors.

• China Gateway competish opens for scripters.
  Brodsky, Katherine // Daily Variety; 11/29/2012, Vol. 317 Issue 42, p20 

  The article offers information on the 2012 inaugural of China Canada Gateway for Film Script Competition participated by 13 Canadian writer-producer teams from across the country.

• R-e-s-p-e-c-t.
  Lansens, Lori // Quill & Quire; Jun2002, Vol. 68 Issue 6, p58 

  Relates experiences of the author as a novelist in Canada. Importance of knowing the character before writing a story; Experiences in writing for movies; Attempt to write a play for the stage.

• Editorial.
  Selbo, Jule // Journal of Screenwriting; 2010, Vol. 1 Issue 2, p223 

  The article discusses various reports published within the issue, including one by Craig Batty and Helen Jacey on writing techniques, one by Adam Ganz on the narrative strength of the centuries-old ballads, and one by Jill Nelmes and Ted Nannicelli on the views of two screenwriters.

• Editorial.
  Macdonald, Ian W // Journal of Screenwriting; 2010, Vol. 1 Issue 1, p7 

  An introduction to the journal is presented in which the editor discusses various reports published within the issue including Marguerite Duras' screenplay of the film "Hiroshima, Mon Amour," the adoption of Danish film industry of screenwriting practices, and the collaboration of director...

• Higher and higher.
  Nathan, Paul // Publishers Weekly; 8/2/1993, Vol. 240 Issue 31, p49 

  Reports on record-breaking purchases made by Hollywood companies of bestselling authors' work. Purchase of Michael Crichton's untitled thriller by Warner Brothers for $3.5 million and John Grisham's novel by Universal Studios for $3.75 million; Warner Brothers' and Paramount Pictures'...

• How to Improve Your Odds in Screenwriting Contests.
  Hamlett, Christina // Writers' Journal; Nov/Dec2005, Vol. 26 Issue 6, p6 

  Provides tips on how to compete in screenwriting contests in the U.S. Factors that motivates the writers to join; Prestige given to the most deserving writer; Terms of entry fees in screenwriting competitions.

• New screenwriting course takes shape on Auckland waterfront.
  Brash, Alan // Onfilm; May2011, Vol. 28 Issue 4, p23 

  The article discusses the screenwriting course being offered by The Creative Hub which will be held at the Auckland Maritime Museum in New Zealand at the end of May 2011.

• WHEELER TO PEN ARTISAN'S 'GARBO'
  Harris, Dana // Daily Variety; 12/19/2001, Vol. 274 Issue 14, p22 

  Reports the selection of script writer Bill Wheeler to write for the motion picture 'The Garbo Deception' by Artisan Pictures.

• The politics of children.
  Taylor, Drew Hayden // Raven's Eye; Jan2001, Vol. 4 Issue 9, p4 

  Relates the experience of Drew Hayden Taylor, a scriptwriter in TV programming for children. Prohibition of violent situations; Difference between scriptwriting in theater plays and TV programs; Concept of artistic freedom.

• Candid camera.
  McGrath, Douglas // Harper's Bazaar; Aug96, Issue 3417, p90 

  No abstract available.

• INTRODUCTION.
  Dancyger, Ken; Rush, Jeff // Journal of Film & Video; Fall90, Vol. 42 Issue 3, p3 

  The article discusses various reports published within the issue, including one by Jeff Rush on fiction films and another by Ken Dancyger on screenwriting.

• Scope and sequence for teaching this issue.
  Dancyger, Ken; Rush, Jeff // Writing; Feb/Mar2000 Teacher's Edition, Vol. 22 Issue 5, p1 

  Presents an overview on topics related to scriptwriting for television (TV) and movies featured in the `Writing' journal. Distinction between TV scriptwriting from other narrative genres; Characterization of story structure and loglines; Guidelines on script formatting; Importance of...

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