TITLE

Buyer's Guide to New Gear

PUB. DATE
February 2011
SOURCE
Musical Merchandise Review;Feb2011, Vol. 170 Issue 2, p62
SOURCE TYPE
Periodical
DOC. TYPE
Product Review
ABSTRACT
The article evaluates several guitar music products exhibited at the 2011 NAMM Winter Show which includes the Rebel Rockit bass guitar from Daisy Rock, the Ghost guitar amplifier from ZT Amplifiers and the Orchestra Light LED music stand light from Mighty Bright.
ACCESSION #
65565221

 

Related Articles

  • 5 QUICK & EASY BASS SOUNDS. Molenda, Michael // EQ;Oct2007, Vol. 18 Issue 10, p55 

    The article offers tips for achieving enhanced bass sounds in guitar. Compression at a ratio of 10:1 and a threshold of -15dB with relatively fast attack and release times are advisable. It is also recommended that bass guitar players emulate the low end of rap and dance tracks which often...

  • 1985 PEDULLA BUZZ BASS. Pomeroy, Dave // Bass Player;Aug2011, Vol. 22 Issue 8, p19 

    The article reports on the development of Pedulla Buzz Bass by Michael Pedulla, which created a unique niche in the bass market in the U.S. It reveals that Pedulla analyzed all of the acoustic and electric factors in generating fretless tone in order to develop the musical instrument. It also...

  • Anticipation. Friedland, Ed // Bass Player;Apr2002, Vol. 13 Issue 4, p82 

    Provides information on playing the bass guitar through a groove where the backbeat is anticipated by a 16th-note. Way in which the snare drum aniticpate the beats; Background on drum language.

  • The Why of DI. HERRERA, JONATHAN // Bass Player;Jul2014, Vol. 25 Issue 7, p58 

    The article discusses the importance of built-in DI on amplifiers designed for bass guitar. It describes the functions of DIs which include lowering of an instrument's output impedance, converting an instrument or line-level signal to mic level, and converting an unbalanced instrument output to...

  • NEW GEAR.  // Bass Player;May2013, Vol. 24 Issue 5, p26 

    The article previews several bass music gears, including the bass guitar products from Pigtronix, the BC10 combo amplifiers from Warwick, and the Nikki Sixx Signature bass guitar from Schecter.

  • Negative Capability: The Random Weirdness Power. Tanaka, Janis // Bass Player;Nov2003, Vol. 14 Issue 11, p96 

    Comments on the concept of negative pressure in playing bass guitar music. Importance of compact disks to a rehearsal tape; Trends in sound recording; Types of musical instruments compatible to bass guitar music.

  • THE ART OF SUBBING. Friedland, Ed // Bass Player;Mar2005, Vol. 16 Issue 3, p88 

    Focuses on the skills, issues, and requirements of the working bass player. Role of the bass player in the band; Keys to success as a super sub; Art of subbing.

  • HOW TO PRODUCE BIGGER & BADDER SYNTH BASS SOUNDS. Anderton, Craig // EQ;Oct2007, Vol. 18 Issue 10, p56 

    The article provides tips and techniques for synth bass sounds. A common approach to crafting a bigger sound is to layer slightly detuned oscillators. Percussive and sustained punch approaches may help in adding punch to a synth sound. Useful modulation tips include filter cutoff, volume...

  • TECHBENCH. FRIEDLAND, ED // Bass Player;Dec2013, Vol. 24 Issue 12, p54 

    The article features the pot mods for bass instruments. It details the flow of the standard passive bass which routes the signal from the pickup to the volume pot, to the tone pot, and then to the output jack. It mentions the pot mechanics which moves the wiper farther from one side of the...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics