TITLE

Towards a theory of orality in African cinema

AUTHOR(S)
Tomaselli, Keyan G.; Shepperson, Arnold
PUB. DATE
September 1995
SOURCE
Research in African Literatures;Fall95, Vol. 26 Issue 3, p18
SOURCE TYPE
Academic Journal
DOC. TYPE
Literary Criticism
ABSTRACT
Develops new theories in analyzing African cinema particularly in the context of African oral cultures and tradition. Failure of western film theory to understand the narratives and forms of cinema in Africa; Use of ontology; Use of psychoanalysis in analyzing African and Third World cinema; Need for indigenizing theory in interpreting African cinema.
ACCESSION #
9509184644

 

Related Articles

  • New York and Ouagadougou: The homes of African cinema. Diawara, Manthia // Sight & Sound;Nov93, Vol. 3 Issue 11, p24 

    Discusses African cinema and the role of the Pan-African Federation of Filmmakers (FEPACI) in promoting African cinema, the production and distribution of African films. Little interest of Africans in native films; Pan-African Film Festival of Ouagadougou (FESPACO); Decolonisation of African...

  • Index - Volume 2.  // Journal of African Cinemas;2010, Vol. 2 Issue 2, p200 

    A subject index for Volume 2 of the journal "Journal of African Cinemas" is presented.

  • Index – Volume 1.  // Journal of African Cinemas;2009, Vol. 1 Issue 2, p238 

    An author index for the June 2009 issue of the "Journal of African Cinemas," Volume 1, is presented.

  • Editorial. Ranvaud, Don // Framework: The Journal of Cinema & Media;Spring78, Issue 7/8, p2 

    The article discusses several reports published in the issue including on African cinema and another on Japanese cinema.

  • Singh, de Heer talking pic prod'n. Pearson, Bryan // Variety;2/28/94, Vol. 354 Issue 4, p61 

    Reports on South African filmmaker Anant Singh's negotiation with Australian director Rolf de Heer to co-produce his next film. Singh and brother, Sanjeev Singh's fight with South African censors over the right to distribute the film, `Bad Boy Buddy'.

  • Politics and Aesthetics in Francophone African film: the case of Souleymane Cissé's Finyé (1982). Langford, Rachael // International Journal of Francophone Studies;2006, Vol. 9 Issue 2, p185 

    This article discusses the idea of the political in film in relation to sub-Saharan francophone African cinema in general, and more specifically in relation to Souleymane Cissé's film Finyé (1982). It considers the multiple ways in which francophone African cinema can be understood as...

  • Durban market's soph sesh proves potent. Kriedemann, Kevin // Variety;7/25/2011, Vol. 423 Issue 10, p6 

    The article presents information about the Durban Film Market, a joint venture in South Africa that promotes the regional film industry.

  • Film Fest Shows 'Africans Through African Eyes'. Poinsette, Bruce // Skanner (Seattle, WA & Portland, OR Combined Edition);2/ 6/2013, Vol. 35 Issue 18, p6 

    The article discusses the 23rd Annual Cascade Festival of African Films held in Portland, which featured African films, student fest and family film day.

  • The theoretical construction of African cinema. Zacks, Stephen A. // Research in African Literatures;Fall95, Vol. 26 Issue 3, p6 

    Shows how the misleading issue of authenticity and appropriation operates to the detriment of the theory, practice, and reading of African cinema as a participant in world cinema. Review of V.Y. Mudimbe's theories regarding African philosophy; Use of three theoretical positions in reading...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics