TITLE

EIGHTEENTH-CENTURY CATALAN LITERATURE

AUTHOR(S)
Rossich, Albert
PUB. DATE
April 2012
SOURCE
Dieciocho: Hispanic Enlightenment;Spring2012, Vol. 35 Issue 1, p117
SOURCE TYPE
Academic Journal
DOC. TYPE
Literary Criticism
ABSTRACT
The article focuses on the characteristics of the literary production of the Catalan literature in the eighteenth century in Spain. It discusses the aesthetic evaluation of the significance and quality of Baroque literature and how its style has a major influence on both the Spanish and Catalan literature. It cites the works of various authors that trace the continuity of the new literary context related to the Catalan literature in the early modern age.
ACCESSION #
75009324

 

Related Articles

  • MEDIEVAL HERITAGE IN THE BEGINNINGS OF MODERN CATALAN LITERATURE, 1780-1841. Sunyer, Magí // European Studies: A Journal of European Culture, History & Polit;Jan2008, Vol. 26 Issue 1, p169 

    In the period 1780-1840 there were very few reimpressions of medieval Catalan texts and there was considerable confusion about the value of the literary past. However, at the end of the eighteenth century, a modern process of publishing medieval documentation was instigated, largely thanks to...

  • Theater of Truth: The Ideology of (Neo)Baroque Aesthetics. Spadaccini, Nicholas // Clio;Summer2010, Vol. 39 Issue 3, p402 

    A review of the book "The Theater of Truth: The Ideology of (Neo) Baroque Aesthetics," by William Eggington is presented.

  • PEDRO DE PERALTA AS PHILOSOPHER-CONQUEROR: A MAESTRE DE CAMPO IN THE REPUBLIC OF LETTERS. Gutiérrez, Renee // Dieciocho: Hispanic Enlightenment;Fall2009, Vol. 32 Issue 2, p306 

    This article analyzes Pedro de Peralta's representation of himself as a philosopher-conqueror in his epic poem, Limafundada (1732). He writes a Baroque epic poem and adds his own Enlightenment footnotes in order to demonstrate his command of literature, history, and science. At the advent of the...

  • GÉNEROS, CANON Y METODOLOGÍA CRÍTICA EN EL MEMORIAL LITERARIO (1784-1797). Rodríguez, María José; de León, Sánchez // Dieciocho: Hispanic Enlightenment;Fall2009, Vol. 32 Issue 2, p365 

    This article analyzes the contribution of the eighteenth-century literary press to the development of Literary Criticism and Poetics. It focuses on the theater chronicles in the Memorial Literario and the different strategies that critical discourse adopts when discussing different dramatic...

  • EFÊMERA DE UM SÓ DIA: DOIS POEMAS INÉDITOS DE EUSÉBIO DE MATOS. Topa, Francisco // Patrimônio e Memória;jun2011, Vol. 7 Issue 1, p272 

    The author publishes and studies two unknown poems of Eusebio de Matos (*1629 †1692), a major figure in Brazilian literature from the sixteenth century. Found in Portuguese libraries, the two texts - a sonnet and a romance - bring new light on the work of Gregorio's brother, revealing a...

  • Essays on the Literary Baroque in Spain and Spanish America. Voigt, Lisa // Revista de Critica Literaria Latinoamericana;2009, Vol. 35 Issue 70, p275 

    A review is presented of the book "Essays on the Literary Baroque in Spain and Spanish America" by John Beverley.

  • A CHIASMUS OF BAROQUE FORMS OF EXISTENCE, COMMUNITY, AND SPECTRALITY: BENJAMIN-DEBORD. Roraback, Erik S. // Litteraria Pragensia;2007, Vol. 17 Issue 34, p101 

    That Walter Benjamin (1892-1940) and Guy Debord (1931-94) share distinctive qualities that endow both personas and their respective bodies of compositional work the stamp of a twentieth-century Baroque aesthetics within the literary and theoretical arts constitutes the basic thesis of the...

  • Una modernidad obsoleta: Estudios sobre el barroco (Book). Higgins, Antony // Revista de Critica Literaria Latinoamericana;2000, Vol. 26 Issue 52, p314 

    No abstract available.

  • ESTRATEGIAS CANÓNICAS DEL NEOBARROCO POÉTICO LATINOAMERICANO. Ayala, Matías // Revista de Critica Literaria Latinoamericana;2012, Vol. 38 Issue 76, p33 

    This article is a critical reading of the prefaces, proses and paratexts of the poetry anthologies Caribe transplatino (1991), Transplatinos (1991) and Medusario (1996) along with essays in Resistir (2004) by Eduardo Milán. It interprets how the neo-baroque movement of the late...

Share

Other Topics