Debris from heaven in Paradise Lost
- `Warring chains of signifiers': Metaphoric ambivalence and the politics of Paradise Lost. Herman, Peter C. // Texas Studies in Literature & Language;Fall98, Vol. 40 Issue 3, p268
Investigates the open-ended political implications of John Milton's epic similes and metaphors. Importance of politics in the poem `Paradise Lost'; Appropriation of Satan for the Republican cause; Comparisons between Satan and various epic heroes.
- Paradise Lost: A poem in twelve books, or ten? Hale, John K. // Philological Quarterly;Spring95, Vol. 74 Issue 2, p131
Examines John Milton's first and second versions of `Paradise Lost.' Poem's epic ancestry; Substantive changes as textual evidence; Evidence of epics as `exemplary' evidence; Arithmetical and numerological explanation; Disagreement over symmetry.
- Milton's Satan: Wisdom reversed. Forey, Margaret // Essays in Criticism;Oct96, Vol. 46 Issue 4, p302
Presents a critique of John Milton's presentation of Satan in his book `Paradise Lost.' Error in assuming that readers would be familiar with more than one translation of the Bible; Use of parody in the presentation of Satan; Activities of Wisdom.
- Milton's missing rhymes. McCauley, Lawrence H. // Style;Summer94, Vol. 28 Issue 2, p242
Analyzes the rhyme element in John Milton's poem `Paradise Lost.' Manifestation of thematic equivalence; Appropriateness of the localized phonemic equivalence of rhyme; Augmentation of the aural force of partial rhyme; Structural interplay of balance and opposition; Four functions or effects of...
- THE MYSTERY OF URANIA: RE-OPENING THE CASE OF THE UNKNOWN MUSE IN PARADISE LOST. Rice, Allen C. // English Language Notes;Dec99, Vol. 37 Issue 2, p17
Discusses the case of the unknown Muse in John Milton's Paradise Lost. Assertions of many critics on the identity of the Muse; Reasons for the said identification; Lines from the poem in the support of the idea.
- The Medieval Consolatio and the Conclusion of Paradise Lost. Astell, Ann W. // Studies in Philology;Fall85, Vol. 82 Issue 4, p477
Discusses John Milton's use of the conventions of the 'consolatio' genre in Books XI and XII of 'Paradise Lost.' Ways in which the consolatio genre is a creative synthesis of the ancient apocalypse and the classical 'consolatio mortis'; Textual evidence suggesting that Milton deliberately chose...
- Eve's Reflection and the Passion of Wonder in Paradise Lost. Sugimura, N. K. // Essays in Criticism;Jan2014, Vol. 64 Issue 1, p1
A literary criticism of the Book IV of "Paradise Lost," by John Miltonis presented. It discusses how Eve experiences first the passion of wonder. It also discusses whether her absorption in, and wonder at, her own reflection a narcissistic activity that constitutes a dangerous prolepsis of the...
- The Negatives of 'Paradise Lost:' An Introduction. Sigmon, Dennis H. // Studies in Philology;Summer76, Vol. 73 Issue 3, p320
Discusses negative constructions in John Milton's epic poem 'Paradise Lost.' Role as a major element in the effect and effectiveness of the poem; How the constant appearance of negatives in the poem results from the epic's characterization of God; Positions of negative clusters in the epic;...
- Milton's God and the matter of chaos. Rumrich, John // PMLA: Publications of the Modern Language Association of America;Oct95, Vol. 110 Issue 5, p1035
Examines John Milton's use of chaos in `Paradise Lost,' to throw light on his attitude towards theology, politics and aesthetics. Discussion on Milton's appreciation of chaotic disorder and disapproval of tyrannical suppression; Relationship between Milton's God and chaotic matter.