TITLE

THE MUSIC EDIT

AUTHOR(S)
Jones, Sara
PUB. DATE
March 2002
SOURCE
Mix;Mar2002, Vol. 26 Issue 4, p107
SOURCE TYPE
Periodical
DOC. TYPE
Interview
ABSTRACT
Interviews motion picture music editor Robert Randles. Involvement of Randles in editing the music for the motion picture 'Amadeus'; Reconstruction of the original edits; Use of a glass harp in the film.
ACCESSION #
7542177

 

Related Articles

  • Score Restore: Superman: The Movie.  // Film Score Monthly (FSM Online);Mar2008, Vol. 13 Issue 3, p31 

    The article focuses on the restoration of the edited score of the music of the film "Superman: The Movie." It presents the changes made in "Prelude and Main Title," created by the composer, John Williams. Instead of the version of the Superman march that Williams wrote for the opening sequence,...

  • Score Restore: Beowulf.  // Film Score Monthly (FSM Online);Apr2008, Vol. 13 Issue 4, p11 

    The article focuses on the editing of the music composed for the film "Beowulf Slays the Beast." The music created by Alan Silvestri for the film was repeatedly edited. The main action motif used by Silvestri was deleted from every single instance where it was supposed to occur. Digital...

  • Lord of the strings.  // India Today;9/13/2010, p25 

    The article focuses on the developing field of sound engineering in India. The increasing demand for trained audio engineers who would record and edit sounds for the film and television sectors is reported. It is emphasized that working for the field will require dedication and creativity. An...

  • The kindest cut: functions and meanings of music video editing. Vernallis, Carol // Screen;Spring2001, Vol. 42 Issue 1, p21 

    The article explores the functions and meanings of music video editing. It presents an introduction to the grammar of shots and edits, and a discussion of how their functions differ between film and music video. It also offers an analysis of the role of editing in making meaning, creating...

  • The Uncanny John Ottman. Bishop, Martin // Film Score Monthly (FSM Online);May2014, Vol. 19 Issue 5, p30 

    An interview with John Ottoman, film composer of "X-Men: Days of Future Past," is presented. Ottoman states that he wanted the film to work on its own without score. He says that the loose ends everywhere is the worst thing with editing. He reveals that it would be silly for him to have a...

  • Amadeus (Film). Leyland, Matthew; Macnab, Geoffrey; Neville, Lucy // Sight & Sound;Jan2003, Vol. 13 Issue 1, p58 

    Reviews the film 'Amadeus,' directed by Milos Forman and starring Simon Callow.

  • AMADEUS-DIRECTOR'S CUT.  // Human Events;6/10/2002, Vol. 58 Issue 22, p16 

    Reviews the motion picture 'Amadeus,' directed by Milos Forman, starring F. Murray Abraham and Tom Hulce.

  • 'Amadeus': The Director's Cut. Jackson, Blair // Mix;Mar2002, Vol. 26 Issue 4, p106 

    Reviews the motion picture 'Amadeus,' directed by Milos.

  • Tunes steal the scene. Burlingame, Jon // Daily Variety;01/21/2000, Vol. 266 Issue 35, pA1 

    Focuses on motion pictures shown in 1999 that dealt with music or musicians. Potentials for garnering Academy awards; Includes `The Talented Mr. Ripley'; `The Red Violin'; `The Legend of 1900'; `Music of the Heart'; Storyline of the movies.

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics