TITLE

On the Road

PUB. DATE
March 2004
SOURCE
Mix;Mar2004, Vol. 28 Issue 4, p88
SOURCE TYPE
Periodical
DOC. TYPE
Interview
ABSTRACT
Interviews Rick Camp, sound engineer for pop singer Beyonce Knowles' solo tours. Description of Camp's recording facility in Southern California; Must have sound recording equipment; Comments on Yokohama Arena's sound system.
ACCESSION #
12348078

 

Related Articles

  • TAKING A CRITICAL LISTEN.  // Mix;Mar2006, Vol. 30 Issue 3, p17 

    The article reports that the Music Department at the University of Massachusetts Lowell's critical listening room has been rated as one of the top five rooms in the industry by a panel of sound engineers. The room boasts a 5.1 surround sound system comprising a pair of Bag End D18E-I dual-inch...

  • Studios surrender to surround. Daley, Dan // Billboard;10/03/98, Vol. 110 Issue 40, p47 

    Examines the impact of the concept of 5.1 sound design on the economics of studio business in the United States as of October 1998. The variety of equipment that 5.1 sound design, or surround as it is also called, require; The economic benefits for studios by adding the equipment for 5.1 sound...

  • Studio in the Round. Cutchin, Rusty // Electronic Musician;Sep2005, Vol. 21 Issue 9, p37 

    Focuses on the importance of surround-sound system in the sound studios and in the sound recording industry. Two high-resolution audio-only formats; Concept of the surround-sound system; Capabilities of the surround-sound system. INSETS: MANAGING BASS;ENTRY-LEVEL SURROUND;MODERN SURROUND FORMATS.

  • Room with a VU. Harper, Matt // EQ;Oct2006, Vol. 17 Issue 10, p72 

    The article features Sunrise Sound Studio in Houston, Texas. It becomes a true dream studio which plays a wide range of artists such as Lenny Kravitz, Beyonce Knowles and Yolanda Adams. The studio have four rooms namely Grey Room which boasts a large performance live room complete with a Yamaha...

  • Back To The Big Room.  // Pro Sound News;Oct2012, Vol. 34 Issue 10, p26 

    The author reports on getting sounding record on a "big room" with large format consoles, lots of microphones and outboard gear, etc. He says that he cut several different sessions at the well-appointed Clubhouse Studios in Rhinebeck, New York. The Clubhouse had a Manley 12X2 headphone station...

  • Sound On Sound Branches Into Engineer Management. Walsh, Christopher // Billboard;10/28/2000, Vol. 112 Issue 44, p45 

    Reports on the creation of the SOS Management division of New York City's Sound on Sound Recording. Details of recording engineers and producers on the SOS roster; Features of Sound on Sound's Studio B facility, which is popular among hip-hop recording artists; Highlights of recording and...

  • BMG Sony, Zomba Announce Studio Closings, Staff Cuts. Walsh, Christopher // Billboard;12/15/2001, Vol. 113 Issue 50, p3 

    Reports that several record companies announced studio closures and staff cuts during the 2001 Audio Engineering Society convention. Closure of BMG Studios in New York City and Sony Music Studios in Santa Monica, California; Withdrawal from the music recording industry of Zomba Group of London,...

  • Is Bigger Better? Daley, Dan // Billboard;12/1/2001, Vol. 113 Issue 48, p64 

    Focuses on the popularity of large sound studios in New York City. Transition from large spaces to smaller or independent studios in the 1970s and 1980s; Details of the features of such studios as Manhattan Center Studios, Hit Factory's Studio One and Right Track Studios; Advantages of...

  • Scott Sanders' Ear Candy Studios. Lingle, Breean // Mix;Jul2005, Vol. 29 Issue 8, p68 

    Features the Ear Candy Studios, a sound studio owned by sound design engineer Scott Sanders in California. Type of audio equipment maintained by Sanders; Composition of his plug-in collection; Motion pictures that Sanders work in sound design.

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics