Lee Dichter

Jackson, Blair
September 2003
Mix;Sep2003, Vol. 27 Issue 10, p60
Interviews Lee Dichter, the top re-recording mixer for motion pictures in New York. Dichter's career history; Film credits; Nature of his relationship with original location recording engineers; Alliance between sound designers and re-recording mixers.


Related Articles

  • A Glimpse Into the World of Production Sound Mixers. Jackson, Blair // Mix;Sep2002, Vol. 26 Issue 10, p28 

    Profiles several production sound mixers in the U.S. Career background; Techniques used in location recording of movies; Contributions to the motion picture industry.

  • Audio Au Natural. SILBERG, JON // Hollywood Reporter -- International Edition;2/26/2002, Vol. 372 Issue 16, pS-16 

    Focuses on the use of nature sounds by film sound designers. Capability of sound editors to combine the sounds; Integrity added by a real environment sound to the film; Importance of the environment sorrounding the sound.

  • SOUND SAMPLINGS. Oppenheimer, Jean // Hollywood Reporter -- International Edition;10/10/2000, Vol. 365 Issue 8, pS-35 

    Features some audio postproduction talents coming from outside Los Angeles, California. Atlanta, Georgia-based Dopper Studios manager Bill Quinn; Rerecording mixing services offered by Todd-AO in New York City; Roger Savage, founder of post sound facility Soundfirm.

  • Brice Carrington: the sound go-to guy. Shuler, Deardra // New York Amsterdam News;1/18/2004, Vol. 98 Issue 4, p23 

    The article reports on Brice Carrington, a motion picture sound engineer. The person was born in South Central Los Angeles, California. Carrington creates the original interpretation of specific characters in films and sells them to the studios through Ultimate FX, a company. According to...

  • Preparation for the lone sound recordist. Schurr, Ande // Onfilm;Jun2012, Vol. 29 Issue 6, p24 

    The author shares his insights into the function of a sound recordist. He explains that the script is the core energy source of the movie which provides an understanding that leads to an accurate approach. He believes that there is a sympathetic rapport between actors and crew, especially the...

  • RYDSTROM A SOUND CHOICE. McNary, Dave // Daily Variety;8/20/2004, Vol. 284 Issue 34, p4 

    Reports that the Motion Picture Sound Editors have selected Oscar winner Gary Rydstrom to receive their career achievement award to be presented at the 51st Golden Reel Awards. Career history of Rydstrom including a position at Skywalker Sound and Pixar Animation Sounds; Film credits.

  • POSTSCRIPT. Read, Lawrie // Image Technology;Jul2003, Vol. 85 Issue 4, p32 

    The article describes the author's work with sound engineer for movies Geoff Fletcher Labram in the sound department between 1961 and 1972 when he joined ITN. He was also camera operator although all studio and location recordings were on magnetic tape by then. He also worked on the music...

  • Randy Thom. Droney, Maureen // Mix;Jan2005, Vol. 29 Issue 1, p54 

    The article presents an interview of nine-time Academy Award-nominated sound designer, supervisor and re-recording mixer Randy Thom. At the time of the interview, Thom was on break. So, in reply to question regarding the time off, he replied that when he finishes a project, he always go through...

  • Audio post in fine shape after decade of change.  // Televisual;Nov2007, p41 

    The article reflects on the state audio post-production houses in Great Britain. He relates on the development and evolution of incorporating sound in motion pictures with the emergence of modern technologies that allow sound technicians to widen their creative horizon. Moreover, he cites the...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics