Paradise is Here: The aesthetic world of Imad and Swel Noury
- THE MAN WHO SOLD THE WORLD. Simon, Alissa // Variety;1/18/2010, Vol. 417 Issue 9, p23
The article reviews the motion picture "The Man Who Sold the World," directed by Imad Noury and Swel Noury, starring Said Bey and Audrey Marnay.
- The Man Who Sold the World. Simon, Alissa // Daily Variety;12/28/2009, Vol. 305 Issue 57, p8
The article reviews the film "The Man Who Sold the World," starring Said Bey, Fehd Benchemsi, Audrey Marnay, Hakim Noury, directed by Imad Noury and Swel Noury.
- Arab Film Festival's Most Ambitious Season Offered Humor, Realism, Originality. Pasquini, Elaine // Washington Report on Middle East Affairs;Jan/Feb2011, Vol. 30 Issue 1, p36
The article focuses on the Arab Film Festival (AFF) which was held in San Francisco, California. AFF president Jess Ghannam proclaimed in the opening of the event that the festival is the celebration of the history of the Arabs. The festival presented the Noor Awards to directors of the best...
- HEAVEN'S DOORS. Young, Deborah // Variety;3/6/2006, Vol. 402 Issue 3, p24
The article reviews the motion picture "Heaven's Doors," directed by Swel Noury and starring Rabie Kati and Latifa Ahrare.
- Secret of sex sets. Karr, John F. // Bay Area Reporter;1/9/2014, Vol. 44 Issue 2, Special section p9
The article offers the author's insights regarding the french term mise en scÃ©ne which he used to describe movies "Champs" and "Jockholes, " directed by Christopher Owen.
- Mise-en-scÃ¨ne masters. Frears, Frankie // Sight & Sound;May2007, Vol. 17 Issue 5, p104
A letter to the editor is presented in response to an editorial on mise en scene by Nick James, published in the March 2007 issue.
- "Journal of Adaptation in Film and Performance," Numbers 1.1, 1.2 (Intellect), Richard J. Hand and Katja Krebs, eds. Palmer, R. Barton // Adaptation;Mar2009, Vol. 2 Issue 1, p87
An introduction to articles published within the issue is presented, including one by Sarah Artt on the symbolic objects in the filmic mise-en-scÃ¨ne and another by Jim O'Loughlin examination of the stage adaptation of Harriet Beecher Stowe's "Uncle Tom's Cabin."
- 'Worrying the note': mapping time in the gangsta film. Brooks, Jodi // Screen;Winter2001, Vol. 42 Issue 4, p363
The article explores the concept of time associated with contemporary gangsta film. The author says that the attempt to occupy, harness and rupture time is not only important to the characters of gangsta films, but it also choreographs the films themselves. The author claims that the struggle in...
- Writing at Avignon (2010):Towards a Return of Narration. Pavis, Patrice // TheatreForum;Winter/Spring2012, Issue 40, p95
The article deals with "Writing at Avignon," by Patrice Pavis. It mentions that Pavis examines evidence of a "return to narration" in contemporary writing and mise en scene. Moreover, the article cites the work of Falk Richter and Stanislas Nordey such as "My Secret Garden," Alain Timar such as...