SILVER LINING DEPARTMENT
- Cut-up technique. Powers, Alan // Building Design;11/29/2002, Issue 1558, p6
Reports on the public autopsy done on the body of an art historian in London, England. Purpose of the dissection; Comments of a leading newspaper on the examination of the body; Reaction of a public commentator on the issue.
- Moshe Barasch (1920-2004). Amishai-Maisels, Ziva // Ars Judaica: The Bar-Ilan Journal of Jewish Art;2005, Vol. 1, p156
The article pays tribute to the first Israel Prize for Art History recipient, Mosche Barasch.
- Joseph Gutmann (1923-2004). Sabar, Shalom // Ars Judaica: The Bar-Ilan Journal of Jewish Art;2005, Vol. 1, p159
The article pays tribute to Jewish art historian Joseph Gutmann.
- Kemp's conclusions. Kemp, Martin // Nature;4/30/1998, Vol. 392 Issue 6679, p875
Concludes the Art and Science series in `Nature.' Articles in series written according to a three-part cycle; Variables in articles; Favoritism toward British artists; Human structural intuitions expressed visually; What the art historian's job is; Use of analytical description; Abstraction of...
- British art historian is new head of state. Bailey, Maratin // Art Newspaper;Apr2008, Vol. 17 Issue 190, p10
The article announces that British art historian Fra' Matthew Festing has been elected as head of the Knights of Malta.
- In Memoriam. // Art Newspaper;Mar2013, Vol. 22 Issue 244, p94
An obituary for the art historian and expert on early medieval Iranian architecture Melanie Michailidis is presented.
- The Sign of Jonah. Woods, Constance // Logos: A Journal of Catholic Thought & Culture;Summer2009, Vol. 12 Issue 3, p133
A personal narrative is presented which explores the authors' experience of being an art historian.
- A Winter Landscape: Reflections on the Theory and Practice of Art History. Pontynen, Arthur // Art Bulletin;Sep1986, Vol. 68 Issue 3, p467
Argues that art objectifies and law codifies socially accepted values using the painting 'A Wintry Landscape.' Paradigms of scholarship and art; Comparison and contrast between Empiricist and Marxist art historians; Necessity of substance and practice being harmonious.
- Reply. Ridgway, Brunilde Sismondo // Art Bulletin;Sep1986, Vol. 68 Issue 3, p481
Presents a response to comments on an article regarding the distinction between the art historian and the archaeologist concerned with ancient art. Significance of the Parthenon frieze in the analysis; Importance of archaeologists' conversation with scholars specializing in the study of Italian...