December 2004
Millimeter;Dec2004, Vol. 32 Issue 12, p7
Entertainment Review
The article presents information on the movie "The Aviator." When Martin Scorsese first decided it would be, in his words, "interesting to explore" ways to bake the visual color sense of the old Technicolor two-strip and three-strip dye-transfer processes into his new movie "The Aviator," one of his first conversations about how to do it was with "Titanic's" Academy Award-winning visual effects supervisor, Rob Legato. Legato eventually got in touch with color scientists at Technicolor" the company that would later handle "The Aviator" digital intermediate.


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