CHAPTER XIV: WATER-PARTY
- CHAPTER XXIV: DEATH AND LOVE. // Women in Love;3/1/2006, p239
Chapter 24 of the book "Women in Love," by D. H. Lawrence is presented. It relates that the death of Thomas Crich has caused Gerald Crich to suffer in-depth loneliness, which leads Gerald to end his life. Furthermore, it highlights the conversation between Gerald and Rupert Birkin regarding...
- D.H. LAWRENCE: PLEASURE AND DEATH. FRIEDMAN, ALAN W. // Studies in the Novel;Summer2000, Vol. 32 Issue 2, p207
Presents an essay which focuses on D.H. Lawrence and his embodiment of Sigmund Freuds' theories about the pleasure principle and the death instinct. Background on Lawrence and his personal beliefs, writing, and disdain for his mother; How much of his major fiction comments on the impossibility...
- D. H. Lawrence and the Flight From History. Bell, Millicent // Sewanee Review;Fall98, Vol. 106 Issue 4, p604
Focuses on the historical literary gesture dramatized in D. H. Lawrence's novel `Women in Love.' Comments on the presentation of Rupert Birkin, the chief character; Experiences of Lawrence reflected in the novel.
- The art of leaping: Metaphor unbound in D.H. Lawrence's Women in Love. Doherty, Gerald // Style;Spring92, Vol. 26 Issue 1, p50
Discourses on the use of the metaphor of the leap in writer D.H. Lawrence's book entitled `Women in Love.' Exploitation of metaphorical processes that assimilate alien ideas and make them familiar; Version of the leap that entails shift from speech to utterance.
- Linguistic incantation and parody in Women in Love. Stewart, Jack // Style;Spring96, Vol. 30 Issue 1, p95
Discusses how D.H. Lawrence shapes dialogues, actions, and movements of consciousness that constitute characters in `Women in Love' through the polyphonic use of language. Monosyllabic key words and pleonastic phrasing; Creation of a gap between language and being; Process of `linguistic...
- Staging the gaze in D.H. Lawrence's Women in Love. Ingersoll, Earl // Studies in the Novel;Fall94, Vol. 26 Issue 3, p268
Focuses on D.H. Lawrence's fifth novel `Women in Love.' Elements of narrative structure; Lawrence's development of characters within the framework of references to eyes and seeing; Contrast between conventional and more complicated expressions of visual exchange; Description of characters'...
- "There will be a new embodiment, in a new way": Alternative Posthumanisms in "Women in Love." Wendel, Deanna // Journal of Modern Literature;Spring2013, Vol. 36 Issue 3, p120
This essay places "Women in Love" in dialogue with posthumanism in order to understand what kind of a nonhuman world the novel might be imagining when Rupert Birkin declares that "humanity is a dead letter," and when characters alternately degrade and idealize what they identify as the inhuman,...
- The name `Minette' in Women in Love. Carpenter, Lucas // English Language Notes;Sep94, Vol. 32 Issue 1, p70
Discusses the origin of the name Minette in D.H. Lawrence's book `Women in Love.' Inspiration for the character; Reason for the change in the name of the characters; Importance of the changes.
- URSULA BRANGWEN AND 'THE ESSENTIAL CRITICISM': THE FEMALE CORRECTIVE IN WOMEN IN LOVE. Balbert, Peter // Studies in the Novel;Fall85, Vol. 17 Issue 3, p267
Focuses on D.H. Lawrence's theory of essential criticism taking into account the characterization of Ursula Bragwen in 'Woman in Love.' Dramatization of the aspects of Lawrence's view about sexuality and fiction; Emphasis on the pattern of dialectical opposition as the component of any extended...