Our Music Now

Rorem, Ned
November 1974
New Republic;11/30/74, Vol. 171 Issue 22, p31
Focuses on the quality of music composition in the U.S. Influence of the soundtrack to the outcome of the motion picture production; Formality of word settings for singing actors in stage presentations; Emphasis on the talent of musicians; Music in television programs; Directors' employment of hack composers; Possibility of opera conceived for movies; Opera made from only arias.


Related Articles

  • Patrick Williams: Video Teaser. Pincus, Saul; Curran, Tim // Film Score Monthly (FSM Online);May2006, Vol. 11 Issue 5, p16 

    The article focuses on a video recording of an interview with music composer Patrick Williams. Williams talks about his career, his colleagues and the music composed by him during the interview. He has composed music for hundreds of films and television programs during the last forty years. He...

  • From the Archives: Elmer Bernstein (AUDIO). Bond, Jeff // Film Score Monthly (FSM Online);Apr2006, Vol. 11 Issue 4, p14 

    The article focuses on an audio recording of an interview with composer Elmer Bernstein. The interview was conducted during the year 2002. Bernstein talked about the lack of emotion in modern motion pictures and various other issues. The journal "Film Score Monthly" possesses a vast collection...

  • NATURE VERSUS CULTURE. Popović Mlađenović, Tijana // New Sound: International Magazine for Music;2012, Issue 40, p5 

    An introduction to the journal is presented in which the editor discusses the question regarding the deliberation about the composers own musical creation, processes, states and positions in the space between nature and culture.

  • Culture and Arts.  // Austria Country Review;2013, p170 

    The article provides an overview of Austria's culture and arts, stating the country's rich legacy of music, Vienna as the center of European center of musical composition, and the artistic development of the Austrian art which flourished under the reign of the Hapsburgs.

  • THE CREATIVE MIND. Watson, Ernest W. // American Artist;Jun1952, Vol. 16 Issue 6, p3 

    The article explores music composing in relation to art. It states that like musical compositions, works of arts such as sculpture and paintings, must have had their origins. The efforts and hardships of composers in composing music is noted. It cites the belief of an author that musical...

  • Mostly Not Mozart. Pepper, Tara // Newsweek (Atlantic Edition);8/18/2003 (Atlantic Edition), Vol. 142 Issue 7, p46 

    Observes how few orchestras play the works of contemporary classical composers and how few people listen to the albums. Question of whether their music is uninspired or that audiences simply do not get it; How classical music was once at the heart of Western culture; List of some of the modern...

  • Classical Music Mastermind - 14.  // Musical Opinion;Sep/Oct2011, Vol. 134 Issue 1484, p25 

    A quiz about classical music composers and their works is presented.

  • How to catch those illusive ideas. Brodbeck, Chris // Canadian Musician;Jul/Aug2000, Vol. 22 Issue 4, p59 

    Discusses how songwriters succeed in getting ideas for their musical creations. Two ways to write a song; Experimentation until a melody is hit upon; Writing a song with creating a `radio hit' in mind; Coping with writer's block.

  • Hitmakers reveal the building blocks of songcraft. Swenson, Kyle; Molenda, Michael // Guitar Player;Sep98, Vol. 32 Issue 9, p60 

    Provides information on the songwriting techniques of several songwriters. Randy Jacobs of the Boneshakers; Bernard Butler of Suede; Neil Finn of Split Enz and Crowded House. INSETS: Billy Bragg on Woody Guthrie;Duncan Sheik's recipe for a hit;Hey, play that again!.


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics