TITLE

O ŽENSKIM LITERARNIM FIGURACIJAMA KAMOVLJEVE LAKRDIJE ŽENA

AUTHOR(S)
Miloš, Brigita
PUB. DATE
January 2014
SOURCE
Fluminensia;2014, Vol. 26 Issue 1, p47
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
The aim of this paper is to point out the perceived particularity of individual literary figurations as thresholds of subversion of the 'economy of the same'. The suggested reading considers various materialities of the text that can refer to the modes of performative structures, as well as to the interpretations of female gender identity positions. When the 'essence' of femininity is questionable and the status of gender related ideals relative, then different possibilities of gender performatives are those that generate gender imagery of this Kamov's literary text.
ACCESSION #
97316938

 

Related Articles

  • ISUÅ ENA KALJUŽA JANKA POLIĆA KAMOVA KAO SAMORODNI ROMAN. Tadić-Šokac, Sanja // Fluminensia;2012, Vol. 24 Issue 2, p7 

    This paper considers Isušena kaljuža by Janko Polić Kamov as a metatextual novel that structurally undermines the conventions of the literary system, and, by proxy, the conventions upon which reality is based. Characteristic of this prose is the use of conventional elements that point...

  • (NE)STABILNOST IDENTITETA: REPREZENTACIJE JASTVA U NOVELI BRADA JANKA POLIĆA KAMOVA. Marot-Kiš, Danijela // Fluminensia;2013, Vol. 25 Issue 1, p47 

    The paper focuses on Janko Polić Kamov's short story The beard analysed from the standpoint of theory of stability as the basis of personal individuality. Starting from the definition of internal environment as a precursor to the self, the paper seeks to reveal an individual's personality...

  • KAMOV, ÄŒERINA I KRLEŽA. Lukašević, Tatjana Stupin // Fluminensia;2013, Vol. 25 Issue 1, p59 

    The inspiring hermeneutic connection between Kamov's and Krleža's texts points to constantly dynamic and varying interpretations of the writings of these two classic Croatian writers. In an absurd manner, Miroslav Krleža negated Janko Polić Kamov's personality and literature by...

  • Paroles à la dérive. Barnett, R.-L. // Neohelicon;Jun2014, Vol. 41 Issue 1, p129 

    The present study scrutinizes the multifocal manifestations and grotesque comportments of 'monstrousness' in the narrative prose of Éric Chevillard ( Scalps and Démolir Nisard). Focusing on and questioning 'monstrous' instances and ghastly verbal episodes in the contemporary author's...

  • Appendix: ironic trans-contextualisation in a work of postmodern parody.  // Postmodern Studies;2014, Vol. 50, p289 

    An appendix to the book "Poetic Revolutionaries: Intertextuality and Subversion" is presented.

  • INTERROGATION OF GENDER BINARIES IN SIDHWA'S ICE-CANDY MAN FROM BUTLERIAN PERSPECTIVE. Rehman, Shakeel ur; Karim, Asim // Gomal University Journal of Research;6/30/2016, Vol. 32 Issue 1, p87 

    The study aims at consideration of gender-delineation in Bapsi Sidhwa's Ice-Candy Man in the perspective of Judith Butler's deconstructive approach of gender-performativity. All of her four novels Cracking India, The Crow Eaters, The Pakistani Bride and American Brat may present a different...

  • Masculinity An Egalitarian's Thoughts. Howell, Susan // Mutuality;Spring2014, Vol. 21 Issue 1, p8 

    In this article, the author focuses on the masculine and feminine abilities based on information from the Bible, a social science research and discussions among egalitarians. Topics discussed include diverse abilities among people of same sex, description of gender equality in the Bible and need...

  • Deviance and Decay in the Body of a Modern Mountain Witch: Oba Minako's "Yamanba no bisho". Hansen, Kelly // Japanese Language & Literature;Apr2014, Vol. 48 Issue 1, p151 

    The article analyzes the short story "Yamanba no bishō" (The Smile of a Mountain Witch), by Ōba Minako. The author discusses Minako's use of long narrative tradition in female speech, his depiction of yamanba or mountain witch in the short story's complex narrative, and alteration of the...

  • Dissociation of Women from Their Selves: Speech Designated as Sophrosyne. Yıldıran, Arsev Ayşen Arslanoğlu // International Journal of Humanities & Cultural Studies;Oct-Dec2015, Vol. 2 Issue 3, p843 

    Since the ancient Greeks, sound production has been considered to be associated with the quality of voice and the use of voice under a general rubric of gender. Female voice has often been thought as an example of deviance from self-control; therefore, a pseudo need for putting a "door on the...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics