TITLE

Um diálogo entre Flusser e Heidegger: o ser no universo das imagens técnicas. A dialogue between Flusser and Heidegger: the being in the universe of technical images

AUTHOR(S)
Freitas, Gabriela
PUB. DATE
May 2014
SOURCE
Flusser Studies;2014, Issue 17, p1
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
No abstract available.
ACCESSION #
97006690

 

Related Articles

  • Cine y criminología: género y raza. Narrativas interseccionales en El color púrpura. Amaral Machado, Bruno // Opinión Jurídica;jul-dic2018, Vol. 17 Issue 34, p107 

    Crime is a cultural product that suggests different views on forms of control, punishment and justice. Cinema crime" plays an important role for criminological knowledge, as it constitutes a form of popular criminology. The intersections between deviation, crime, control and their different...

  • „Paradies und Hölle“ Vilém Flussers fabelhafte Expedition in die Abgründe der Tiefsee und des Menschen. Krause, Robert // Flusser Studies;2012, Issue 14, p1 

    Flusser's philosophical fiction Vampyroteuthis Infernalis develops a complex and paradoxical conception of space and place, strongly inspired by Lamarckism and Darwinism and by his reading of Heidegger's Being and Time. Exploring these and further intellectual sources, scientific contexts and...

  • Introduction.  // Flusser Studies;Nov2011, Issue 12, p1 

    An introduction is presented in which the editor discusses various reports within the issue on topics including the origins of Vilém Flusser, the relationship between magic and technical image and the unfinished book "Menschwerdung" by Flusser.

  • Das Ding im Werk von Vilém Flusser und Eudoro de Sousa. Hennrich, Dirk-Michael // Flusser Studies;May2011, Issue 11, p1 

    The question about the thing is one of the main topics in the work of Vilém Flusser. It seeks to reconsider not only the phenomenology of the things and the problem between the natural and the cultural objects but, importantly, a focus on the "thing" forefronts his theory about human...

  • Memories, Images, and the End of Writing. Venturi, Riccardo // Art Journal;Spring2013, Vol. 72 Issue 1, p104 

    The article reviews the books "Into the Universe of Technical Images" and "Does Writing Have a Future?" by Vilém Flusser, translated by Nancy Ann Roth.

  • POLITICAL ONTOLOGY OF TECHNICAL IMAGES OR ANYBODY CAN BE THE HUNDREDTH MONKEY. Hauer, Tomas // International Multidisciplinary Scientific Conference on Social ;2014, p807 

    The term technical image (according to the media theorist Vilem Flusser, its first form was photography, and the last form by now have been images projected in all possible forms of screens, monitors and displays, including holograms) can be understood as a term referring to the beginning of a...

  • FLUSSER 3X. BURNETT, CHRIS // Afterimage;Jan/Feb2012, Vol. 39 Issue 4, p35 

    The article reviews the books "Into the Universe of Technical Images" and "Does Writing Have a Future?," by Vilém Flusser and translated by Nancy Ann Roth, and "Vilém Flusser: An Introduction," by Anke Finger, Rainer Guldin, and Gustavo Bernardo, all part of the Electronic Mediations series.

  • Um Estudo sobre a Interação entre a Pesquisa Científica e a Prática Profissional Contábil. da Silva, Ana Paula Batista; Ott, Ernani // Revista de Educação e Pesquisa em Contabilidade;abr-jun2012, Vol. 6 Issue 2, p204 

    Este estudo teve por objetivo analisar a interação da pesquisa científica com a prática da profissão contábil. Trata-se de um estudo exploratório, por se dedicar a examinar um tema pouco explorado no Brasil, com abordagem quantitative e utilização de survey como...

  • "To make music with visionary power": On the Relationship of Music and Mathematics In Vilém Flusser's Work. Guldin, Rainer // Flusser Studies;2014, Issue 17, p1 

    An essay about the works of philosopher Vilem Flusser is presented. The author explores the relationship between music and mathematics and the complex mediatic dialectics of sound, number, image and word that goes with it. He explores the texts "The History of the Devil" and "Into the Universe...

  • Com as máquinas, rumo ao diálogo. Resende, Fernando // MATRIZes;2010, Vol. 3 Issue 2, p239 

    The universe of technical images, contemplated by Vilém Flusser, is the one which the post-historic man - all of us - is part of. In such a place, we experience the world through the objects in which, in a given surface, points are added up with the intention of offering us images of the...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics