The image of Ganymede in France, 1730-1820: The survival of homoerotic myth
Related Articles
- GANYMEDE & THE EAGLE. // Apollo: The International Magazine for Collectors;Mar2015, Vol. 181 Issue 629, p198
The bronze sculpture "Ganymede & the Eagle" by Massimiliano Soldani-Benzi is presented.
- AQUARIUS. Lewis, James R. // Astrology Book;2003, p30
An encyclopedia entry for "Aquarius" is presented. It refers to the eleventh sign of the zodiac, which is a fixed air sign. Often identified with Ganymede, the cupbearer of the gods, it is considered a positive masculine sign, ruled by the planet Uranus. The term is derived from the Latin word...
- The Exquisite Corpse of Ganymede: A Cursory Overview of an Ancient Gender Studies Discourse. Calimach, Andrew // Thymos: Journal of Boyhood Studies;Fall2007, Vol. 1 Issue 2, p117
This essay examines surviving traces of the Zeus and Ganymede myth and identifies two interwoven discourses on male love in antiquity: one, a tradition integral to a Cretan initiatory rite and its didactic nature evidenced by an analogous and opposite Boeotian cautionary myth; the other, a...
- OTHER CONSTELLATIONS CATALOGED BY PTOLEMY. // Peterson Field Guide to Stars & Planets;2000, p132
This article presents information on various constellations cataloged by Greek astronomer Ptolemy. Several constellations are associated with the story of Andromeda, the daughter of Cassiopeia and Cepheus. When Cassiopeia boasted that her beauty exceeded that of the sea nymphs, the slighted...
- The myth of return: restoration as reception in eighteenth-century Rome. Hughes, Jessica // Classical Receptions Journal;May2011, Vol. 3 Issue 1, p1
This article explores how themes and questions developed within the field of reception studies can be usefully applied to the study of the restoration of ancient sculpture. It focuses on a second-century AD statue which was restored at the very end of the eighteenth century by the Roman sculptor...
- Representing An-'Other' Ganymede: The Multifaceted Character of Ismael in Tirso de Molina's La prudencia en la mujer (1634). ROJAS, FELIPE E. // Bulletin of Hispanic Studies (1475-3839);2014, Vol. 91 Issue 4, p347
This article studies the reference to Ganymede in Tirso de Molina's La prudencia en la mujer. I suggest that there are two related motives for the use of this mythological character in the text. First, Ganymede represents Ismael, King Fernando IV's doctor, whose sexual orientation makes him both...
- `Abstract' art as a veil: Tricolor painting in Vichy France, 1940-44. // Art Bulletin;Jun92, Vol. 74 Issue 2, p191
Analyzes the effect of the 1943 publication of the article `La Peinture bleu blanc rouge' (tricolor painting) by painter Jean Bazaine in the Parisian weekly `Comoedia.' Significance of the colors of the tricolor flag; How avant-gardism then asserted itself in occupied Paris; How the Resistance...
- Body as `character' in early eighteenth-century French art and performance. Cohen, Sarah R. // Art Bulletin;Sep96, Vol. 78 Issue 3, p454
Argues that the concentrated focus upon figural articulation in the drawings of Antoine Watteau invokes a pronounced appreciation in early eighteenth-century French culture for the construction of the body as spectacle. Sociality of corporeal spectacle; Refinement of `character'.
- Réconcilier l'art et l'artisanat Une étude de l'artisanat d'art. JOURDAIN, Anne // Sociologie de l' Art;Oct2012, Issue 21, p21
The French "artisanat d'art" is supposed to annihilate the historical boundary between art and craft. Through the combination of qualitative and quantitative methods, we distinguish two types of "artisans d'art" (the elite craftsmen and the creators), illustrated by two individual portraits, and...