NASHVILLE SKYLINE
Related Articles
- PROS THAT LOVE 500. TAVAGLIONE, ROB // ProAudio Review;Dec2012, Vol. 18 Issue 12, pA10
The article offers the insights of several engineers on the 500 Series gear including Donald Hodgson, Kevin Churko and Michael Wagener. Hodgson says that he had not encountered problems with the equipment. Churko states that he had used the devices for some of his recordings. Wagener relates...
- NASHVILLE SKYLINE. Clark, Rick // Mix;Nov2004, Vol. 28 Issue 12, p188
Focuses on the Mother of All Workshops (MOAW), an educational service launched by sound engineer and music producer Michael Wagener in Tennessee. Inspiration for Wagener to start his production workshop at his studio WireWorld; Topics discussed during the MOAW sessions; Participation of...
- Owsley "Bear" Stanley's Long, Strange Trip. Daley, Dan // FRONT of HOUSE;May2011, Vol. 9 Issue 8, p38
The article focuses on Owsley "Bear" Stanley who will be remembered as a hub of the psychedelic counterculture of the 1960s. It notes that Stanley was the sound engineer of the sound system and mix live sound for Grateful Dead, Hot Tuna and Starship. It states that Stanley was the Godfather of...
- Eddie Kramer Never Stops. Jackson, Blair // Mix;Oct2003, Vol. 27 Issue 11, p64
Interviews sound engineer and producer Eddie Kramer. Rock n roll music in South Africa in the 1950s; Career history of Kramer; Study of classical music.
- Making the Most of Mastering. STEVE HARVEY // Pro Sound News;Jan2014, Vol. 36 Issue 1, p24
The article presents information related to mastering engineer Maor Appelbaum. It is noted that he has experience with pretty much every niche genre although his' client list may feature a preponderance of artists working at the heavier end of the rock category. It is mentioned that he has an...
- Big Twelve Inches. Tozzoll, Rich // EQ;May2008, Vol. 19 Issue 5, p18
The article presents an interview with Jay Messina, sound engineer for Aerosmith's albums "Toys in the Attic" and "Rocks." He describes his experience prior to working with Aerosmith. He explains that the Studio A where the recording session took place had a Spectrasonics console, while Studio B...
- Rock On. Zuckerman, Dave // AV Technology;Jul/Aug2014, Vol. 7 Issue 6, p28
The article focuses on how sound producer and engineer Tim O'Heir created the sound design on the acclaimed revival of "Hedwig and the Angry Inch" that earned him a Tony nomination. It discusses how O'Heir translated rock music to the stage with musical director John Craig, how he bridged the...
- Panic! at the Disco. Alter, Gaby // Mix;Jan2007, Vol. 31 Issue 1, p68
The article focuses on a punk rock music group "Panic! At The Disco," performed at the Madison Square Garden Theater, New York. The front-of-house engineer John Harris presents his views on the performance and use of sound recording and mixing with various instruments available in the market....
- CHRIS DUGAN: FROM NU-TONE TO JINGLETOWN. JACKSON, BLAIR // Mix;Feb2014, Vol. 38 Issue 2, p46
The article focuses on sound engineer Chris Dugan, who operates the music recording studio Nu-Tone together with Willie Samuels. Topics discussed include metal and punk recordings of the studio, his acquaintance with rock singer Billie Joe Armstrong of the band Green Day and his perspective on...
