TITLE

Learning and...Re-learning

AUTHOR(S)
Petersen, George
PUB. DATE
November 2002
SOURCE
Mix;Nov2002, Vol. 26 Issue 12, p8
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
Discusses the impact of creative expression in the profession of sound mixing. Ability of Geoff Emrick to break the molds and constraints of traditional studio mixing; Impact of knowing when to apply the correct mixing techniques on capturing the essence of the sound track; Importance of understanding the rules and limitations of the medium; Potential of sound manipulation with high-resolution systems.
ACCESSION #
9124617

 

Related Articles

  • The sounds of software. Schreier, Paul // Scientific Computing World;Dec2008, Issue 103, p8 

    The article explores how scientific software has provided advancement in acoustic engineering. It notes on the fundamentals of acoustic engineering related to scientific software which has allowed researchers who discover innovative products and techniques, such as speakers, noise-canceling...

  • Investigation of the influence of liner hard-splices on duct radiation/propagation and mode scattering.  // Noise & Vibration Worldwide;Jan2010, Vol. 41 Issue 1, p24 

    The article presents a study which investigates the influence of liner hard-splices on acoustic radiation and propagation using the boundary integral equation method (BIEM).

  • Characterisation of valves as sound sources: structure-borne sound.  // Noise & Vibration Worldwide;Jan2010, Vol. 41 Issue 1, p25 

    The article presents a study which utilizes methods of characterizing water appliances as sources of structure-borne sound.

  • Studio design. Storyk, John // Broadcast Engineering;Mar2003, Vol. 45 Issue 3, p104 

    Discusses the incorporation of user ergonomics and room layout requirements in the acoustic criteria and design for audio production suites. Arrangement of equipment, furniture and personal elements to realize the usefulness and comfort level; Audio control room categories into room layout...

  • BIG DOGS MIXES CUCHARA.  // Mix;Nov2002, Vol. 26 Issue 12, p15 

    Announces the completion of the mixes for the group Cuchara by Diego Lopez of Big Dog Studios in Miami, Florida.

  • ONE-STOP MIX SHOP.  // Mix;Nov2002, Vol. 26 Issue 12, p16 

    Focuses on the one-stop, record-fix-and-mix production facility, Miami Mix in Miami, Florida. Collaborative efforts between sound mixers Bob Rosa and Andy Zulla; Facilities of the studio; Offer of recording and mixing capabilities to producers and recording artists.

  • To the Readers of AcousticalPhysics. Lyamshev, M. // Acoustical Physics;Jan2001, Vol. 47 Issue 1, p1 

    Discusses the progress of acoustical physics. Involvement of acoustics in the other fields of science; Involvement of acoustics in technological innovations; Influence of scientific discoveries, advances in nonlinear dynamics and invention of quantum computers on the progress in acoustics.

  • The Power of Sound. Garrett, Steven L.; Backhaus, Scott // American Scientist;Nov/Dec2000, Vol. 88 Issue 6, p516 

    Offers a look at the efforts to develop thermoacoustic engines and refrigerators that produce or absorb sound power. Information on how the machines work; Principles of physics applied in thermoacoustic machines; Features of the thermoacoustic engines; Simplicity of the hardware of the machines.

  • TIPS TO COPE WITH SPEECHES, DJS, SCREENINGS AND CABARETS. Moore, Buck // Mix;Jan2003, Vol. 27 Issue 1, p115 

    Presents tips on how club sound engineers may prepare for the unfamiliar and avoid audio pitfalls. Speeches; Dick jockey performance events; Film and video screenings; Slide show presentations; Multi-act benefit shows.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics