TITLE

The art of ethnic tensions

AUTHOR(S)
Horn, M.
PUB. DATE
December 1991
SOURCE
U.S. News & World Report;12/30/91-1/6/92, Vol. 111 Issue 27, People to watch p79
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
Examines how Mexican-born artist Guillermo Gomez-Pena, 36, use theatrics to ease tensions between the Latinos and Anglos. A self-proclaimed `border shaman'; How he seeks to heal `the infected wound' that is the border; How Gomez-Pena performs on stage; The cultural clashes that concern him.
ACCESSION #
9112301280

 

Related Articles

  • Dangerous Border Crossers: The Artist Talks Back. Venis, Jane // Junctures: The Journal for Thematic Dialogue;Dec2004, Issue 3, p81 

    Reviews the book "Dangerous Border Crossers: The Artist Talks Back," by Guillermo Gómez-Peña.

  • Guillermo Gómez-Peña and Roberto Sifuentes: Cannibals/Maria Fernanda Cardoso: Cardoso Flea Circus. Byrd, Cathy // Art Papers;Jan/Feb98, Vol. 22 Issue 1, p45 

    The article reviews the exhibitions "Cannibals," by Guillermo Gómez-Peña and Roberto Sifuentes at the Rialto Theater and "Cardoso Flea Circus," Maria Fernanda Cardoso at the Healey Building, both in Atlanta, Georgia on September 5-7, 1997.

  • History, Unfolded. Krayna, Philip // Print;Jan/Feb99, Vol. 53 Issue 1, p90 

    Presents information on the book `Codex Espangliensis: From Columbus to the Border Patrol,' by artists Guillermo Gomez-Pena, Enrique Chagoya and Felicia Rice. How the book project was initiated; How it was printed; Portfolio box for the book.

  • Performing the Other: A Consideration of Two Cages. KELLY, MARY KATE // College Literature;Winter99, Vol. 26 Issue 1, p113 

    Explores the considerations of `otherness' and the discourse of primitivism in the work of 1930s phenomenon Josephine Baker and in a contemporary performance piece by Coco Fusco and Guillermo Gomez-Pena. Relationship between the two works; Reference provided by Mary Ann Doane's work; Impact of...

  • Multiculturalism and Epistemic Rupture: The Vanishing Acts of Guillermo Gomez-Pena and Alfredo Vea Jr. Alaimo, Stacy // MELUS;Summer2000, Vol. 25 Issue 2, p163 

    Focuses on multiculturalism in literature. Examination on the epistemological framework that characterizes multiculturalism; Analysis of the literary works of Guillermo Gomez-Pena and Alfredo Vea Jr.; Discussion on multiculturalism within the context of the literary works of several Mexican...

  • Performing Resistance. Garoian, Charles R.; Guadelius, Yvonne M. // Studies in Art Education;Fall2004, Vol. 46 Issue 1, p48 

    Many contemporary artists, critical theorists, and educators challenge the cultural assumptions that are embedded in our understandings of technology and its relationship to art, the body, and human life. In this article, we discuss the performance artworks of osseus labyrinth, Goat Island, and...

  • Ethno-techno: Writing on Performance, Activism, and Pedagogy. Filmer, Andrew // Australasian Drama Studies;Apr2007, Issue 50, p223 

    The article reviews the book "Ethno-Techno: Writing on Performance, Activism and Pedagogy," by Guillermo Gómez-Pena.

  • THE NEW BARBARIANS COLLECTION FALL 2007: DESIGNER PRIMITIVES ON THE RUNAWAY RUNWAY. Gómez-Peña, Guillermo; Sifuentes, Roberto; Rogers, Rachel // TheatreForum;Summer/Fall2008, Issue 33, p79 

    The article reviews the theatrical production the "New Barbarians Collection," starring Guillermo Gómez-Peña, Roberto Sifuentes, Violeta Luna, Persis Jade Maravala, and Rachel Rogers with the La Pocha Nostra performance company at the Arnolfini art gallery in Bristol, England.

  • Ethno-techno: Writings on performance, activism, and pedagogy.  // Contact Quarterly;Winter/Spring2006, Vol. 31 Issue 1, p11 

    The article reviews the book "Ethno-techno: Writings on performance, activism, and pedagogy," by Guillermo Gómez-Peña.

Share

Read the Article

Courtesy of NEW JERSEY STATE LIBRARY

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics