LOVE'S UNLIMITED ORCHESTRA: OVERCOMING LEFT MELANCHOLY VIA DUBSTEP AND MICROHOUSE
- Os impactos socioambientais de uma festa rave em uma unidade de conservaÃ§Ã£o. Fonseca, Charles de Oliveira; Santos, Ana Paula G. // Caderno Virtual de Turismo;2010, Vol. 10 Issue 1, p64
The Rave parties are electronic music festivals of long duration, which attract a growing audience. In Minas Gerais, in 2004, businessmen from the area had innovated the style of party, mixing electronic music with the "natural" landscape. Thus, they had created in Ipoema, district of Itabira...
- Skrillex makes Indian debut. // Men's Health India;Oct2015, p5
The article reviews the dubstep "Scary Monsters and Nice Sprites" by singer Skrillex in four Indian cities including Bengaluru, Hyderabad, Mumbai and New Delhi from October 8-11, 2015.
- OCCUPY THE DANCEFLOOR. Muggs, Joe // Mixmag;2/ 1/2012, Vol. 12 Issue 2, p72
The article offers information on several events organized by music industry in support of Occupy Protest Movement. Music producer Tim Goldsworthy is releasing a remix music set in support of the movement. It also provides brief historical overview of rave culture in the U.S. as reported in the...
- To a different beat. Rogers, Jude // New Statesman;11/19/2007, Vol. 136 Issue 4871, p43
The article reviews the music recording "Untrue," by Burial, the assumed name of an anonymous British musician.
- Ples i upotreba droga kao znaÄenjske prakse u sociologiji rave-kulture. Krnić, Rašeljka // Sociologija i prostor / Sociology & Space;2013, Vol. 51 Issue 1, p91
The need to modify or discard the term subculture appears in the early nineties, mainly as a reaction to the appearance of electronic dance music and the culture springing around it. This is the very example for the thesis about the changeable and complex nature of contemporary youth cultural...
- TOWARDS A GRANULAR STUDY OF SCENES AT VANCOUVER'S NEW FORMS FESTIVAL. VAN VEEN, TOBIAS C. // Dancecult: Journal of Electronic Dance Music Culture;2014, Vol. 6 Issue 2, p1
The article discusses the New Forms Festival in Vancouver, British Columbia and its contributions to the promotion of electronic music. The first electronic music showcase of the music festival in 2002 featured Mitchell Akiyama, Joshua Kit Clayton with Sue Costabile and Ben Nevile, among others....
- THEY CALL IT ACID. Jones, Shanna // Mixmag;Oct2014, Issue 281, p76
The article focuses on the genre of acid techno dance music and its status on various countries. It mentions that the genre which is largely ignored by mainstream media started in the early 1990s and was inspired from the acid house in Chicago, Illinois. It discusses the acid techno events in...
- web resources. // Keyboard;Sep2004, Vol. 30 Issue 9, p13
Provides information on the Web site Ishkurâ€™s Guide to Electronic Music, a comprehensive resource on the classification of electronic music. Site contents; Editorials; Rave culture.
- Beyond Ethnic Tinge or Ethnic Fringe: The Emergence of New Israeli/Palestinian Musical Competences & Connections. Brinner, Benjamin // Min-Ad: Israel Studies in Musicology Online;2008, Vol. 7 Issue 2, p41
The article presents a research that investigates the emergencies, connections and competencies of Israeli and Palestinian Music. It offers information on the interactions between Muslim, Jewish, Druze and Christian musicians in West Bank and Israel. Moreover, it presents the sociocultural and...