TITLE

Assimetrias, dilemas e axiomas do cinema brasileiro nos anos 2000

AUTHOR(S)
Reis e Silva, João Guilherme Barone
PUB. DATE
August 2011
SOURCE
Revista FAMECOS - Mídia, Cultura e Tecnologia;2011, Vol. 18 Issue 3, p916
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
Este artigo trata das transformações verificadas no cinema brasileiro durante a primeira década do Século 21, em especial com relação ao setor de distribuição e ao desempenho do filme de longa-metragem no mercado de salas de exibição. A análise é resultado do projeto de pesquisa Comunicação, tecnologia e mercado. Assimetrias, desempenho e crises do cinema brasileiro contemporâneo, a partir do recorte do conjunto de filmes que registraram o melhor desempenho de público, entre os anos de 2000 a 2009.
ACCESSION #
76513253

 

Related Articles

  • From Lab to Screen (1). Milne-Smith, Michael // BKSTS Journal;Feb1985, Vol. 67 Issue 2, p54 

    The article discusses the process of developing a motion picture from the laboratory to the motion picture theatre. It enumerates the processing of the film in a motion-picture laboratory. It cites that several prints are required for the release of a motion picture. Most laboratories watch...

  • From Lab to Screen (2). Bishop, Horace // BKSTS Journal;Feb1985, Vol. 67 Issue 2, p55 

    The article discusses the process of distributing prints of a feature film to motion picture theatres. The prints are delivered in a plastic container for 2000 feet reels to protect it from dust and other damages. The print manager enters all the prints he received in his master records in which...

  • Technical Standards in the Cinema.  // BKSTS Journal;Feb1985, Vol. 67 Issue 2, p86 

    The article discusses the important items to be considered in the 35millimeter (mm) practice in cinemas in Great Britain. The most important factors in good presentation of picture are brightness, which is specified by British Standards 5550:7.2.3 at 11 feet-lamberts, and standardisation over...

  • Russian Abstracts.  // British Kinematography, Sound & Television;Dec1971, Vol. 53 Issue 12, p447 

    The article presents abstracts of studies about television and motion pictures. They include "Image Quality Information of Motion Picture Systems," "Production and Release Printing Technology of Wide-Screen Anamorphic Films Without the Usage of Anamorphic Optics During Shooting" and "Test Films...

  • CENTRE SPLITTING OF 35mm RELEASE PRINTS. Rider, L. F. // British Kinematography;Apr1959, Vol. 34 Issue 4, p105 

    The article discusses the experiment made to examine center splitting of release prints. A test loop was made from a footage extracted from a damaged part and was run 150 times through a projector. Test reel was obtained and stored in a refrigerator at a temperature below freezing point. Also,...

  • The Dark Reality of Madhur Bhandarkar. Sargam, Suchi // India Currents;Aug2015, Vol. 29 Issue 5, p31 

    The article presents an interview with director-writer-producer, Madhur Bhandarkar who discusses his to be released movie "Calendar Girls" and the research done for the movie. He mentions the movie is about reality behind profession and lives of calendar girls. He discusses his last released...

  • Cinema on demand. Roddick, Nick // Sight & Sound;Oct2007, Vol. 17 Issue 10, p14 

    The article discusses the future of motion picture distribution in Great Britain. Motion picture distribution has typically been slow in adapting to the forward march of technology. The cost of distributing motion pictures in 35mm format is expensive and cumbersome, but the future of...

  • Improving Release Print Quality.  // Cinema Technology;Apr1993, Vol. 6 Issue 3, p175 

    The article focuses on the contribution of the Eastman EXR colour intermediate film 5244 from Kodak to the improvement of the quality of release prints in the motion picture industry. The intermediate film stock gives a high degree of certainty that release prints will look consistently as good...

  • ELEMENTS OF SURVIVAL. Martell, William C. // Script (10922016);May/Jun2007, Vol. 13 Issue 3, p86 

    The author discusses the elements of survival and value of motion pictures at the American Film Market in Santa Monica, California where movies are bought and sold. The author noted that studios are forced to alter their strategy and use their expertise in the foreign market to produce...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics