Jennings, Steve
August 2002
Mix;Aug2002, Vol. 26 Issue 9, p138
Features the band, Garbage and their concert tour in the U.S. in 2002. Details of their concerts and performances; Description of the sound recording techniques and equipments used during their concerts; Profile on the bandmembers.


Related Articles

  • QUEENS of the STONE AGE. Jennings, Steve // Mix;Dec2003, Vol. 27 Issue 13, p86 

    Focuses on rock band Queens of the Stone Age's concert in California. Description of sound equipment used; Sound effects; Members of the band.

  • Dig MY Rig.  // Guitar Player;Jul2013, Vol. 47 Issue 7, p17 

    The article offers the author's insight on how he was able to get close to the original sound of the recordings of the Who Too band when he performed a tribute to the band, wherein, he used Gibson Les Paul Classic sounds. Fender Supersonic 60 amplifier, and Voodoo Lb Sparkle Drive.

  • THE EELS. Johnson, Heather // Mix;Jul2006, Vol. 30 Issue 7, p88 

    The article discusses some of the sound equipment used by the band The Eels in their No Strings Attached Tour in the United States. Kevin Madigan, front-of-house engineer, uses a pair of 64-channel DiGiCo D1 consoles supplied by Sound Image. Madigan also uses SIA Smaart software and the DI's...

  • NO DOUBT. Wiederhorn, Jon // Onstage;Feb2002, Vol. 3 Issue 2, p40 

    Focuses on the music band No Doubt and their music release 'Rock Steady.' Band's desire to experiment and have fun with their music; Band's reputation as an exciting live act; Changes in recording and performance techniques; Lessons learned regarding live performance; Equipment used onstage. ...

  • Now Playing.  // Mix;Dec2004, Vol. 28 Issue 13, p63 

    Focuses on the acoustic details of the concerts of Neal McCoy and Band and R.E.M. Sound companies responsible for the music; Equipment used by the music group; Enhancement utilized.

  • RISING SUN. Swenson, Kylee // Remix;Jul2004, Vol. 6 Issue 7, p22 

    Profiles the Komeda pop band from Sweden. First music release of the band; Experimentation of the band in recording their music; Sound recording equipment used in the band's recording studio.

  • Aviom Aids Willow Creek Worship Band.  // Pro Sound News;Jan2009, Vol. 31 Issue 1, p56 

    The article reports on the adoption of the Aviom monitor mixing system by Brandon Grissom's worship band at Willow Creek Community Church in South Barrington, Illinois. The Aviom setup for Grissom includes A-16II personal mixers for each musician, an A-16D Pro A-Net distributor and an AN-16/i-M...

  • MAKING THE MOST OF YOUR STAGE MONITOR MIX. Coppen, Trevor // Canadian Musician;Jan/Feb2012, Vol. 34 Issue 1, p60 

    The article offers suggestions on playing music in a small club which has inadequate apparatus. The author suggests that even if there are only two monitors onstage, one should play to it. Ideally, the lead vocalist needs to hear him or herself and perhaps a bit of the main rhythm instrument to...

  • HOW TO MIX A HIT IN 2000 EASY STEPS.  // EQ;May2006, Vol. 17 Issue 5, p18 

    The article focuses on Serban Ghene's work as a music mixer with the set of Teddy Riley. He studied at Concordia University while playing with some local band and most recently has built his own studio at Virginia. It is noted that the notion of the extended mixing process that he experienced...

  • Mysterious Forces. Moayeri, Lily // Electronic Musician;Oct2010, Vol. 26 Issue 10, p18 

    The article profiles the electronic pop band Midnight Juggernauts from Australia. It mentions that band members Vincent Vendetta, Andrew Szekeres and Daniel Stricker use several sound recording equipment to produce music hybrids. These include the audio creation systems from Avid Technology Inc....


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics