The Big Bang
Related Articles
- Digital audio kick ass kick 'n' bass. Watson, Alec // Canadian Musician;May/Jun2002, Vol. 24 Issue 3, p59
Focuses on the approach of integrating drums and bass guitar in a sound recording. Sound produced from the integration; Rhythm section of a recording; Techniques in aligning the key notes.
- DOES "ABSOLUTE POLARITY" MATTER? Anderton, Craig // EQ;Oct2007, Vol. 18 Issue 10, p64
The article offers some insights into the concept of absolute polarity in recording sound and music. Using the example of a kick drum will help demonstrate how a rush of air pushes forward from the front of the drum and to the listener when it is hit with a beater. The same kick drum playing...
- Tailored sound for Beethoven or bombs. Wilson, Jim // Popular Mechanics;Jan98, Vol. 175 Issue 1, p26
Presents Carmen, a sound system for multipurpose room designed by CSTB, France's building research center. How the systems works; CSTB's plans for Carmen.
- Ten Tips for Nailing a Mix. Knave, Brian // Electronic Musician;Jul2000, Vol. 16 Issue 7, p106
Shares techniques in sound recording mixing.
- A mastering primer. Kane, Karen // Canadian Musician;Sep/Oct2000, Vol. 22 Issue 5, p61
Explains the differences between mastering facilities. Three categories of mastering facilities for sound recording; Basic functions during a mastering session; Importance of mastering on music recording.
- Classic vocal enhancements. Knave, Brian // Electronic Musician;Nov97, Vol. 13 Issue 11, p112
Details how to simulate classic reverb and delay effects from the songs of some famous singers. Simulating the reverb on Patsy Cline's voice on the song `Walking after Midnight'; How to simulate the echo on Elvis Presley's voice on the song `Heartbreak Hotel'; Difficulties in simulating delay...
- Dynamic Range of Live - and Life. Petersen, George // FRONT of HOUSE;Oct2015, Vol. 14 Issue 1, p4
The author discusses the dynamic range of an audio system or component that is determined by the weakest component in the audio chain.
- Extreme recording feats. Knave, Brian // Electronic Musician;Oct97, Vol. 13 Issue 10, p30
Features several professional recording engineers and the studio techniques they used to create a particular sound or vibe on a major release. Joe Perla; Mark Needham; Roger Nichols; Al Schmitt; David Singleton; Toni Viscoti. INSETS: The old `hide the vocal' trick.;Reviving dead...
- Sound by Design. Pock, Nick // Electronic Musician;Mar2001, Vol. 17 Issue 3, p48
Focuses on the art of sound design as an important aspect of every form of visual entertainment.
