Audio Ease Altiverb 1.4

Hawkins, Erik
July 2002
Mix;Jul2002, Vol. 26 Issue 8, p114
Evaluates Altiverb 1.4 sampling reverb plug-in from Audio Ease. Design and specifications; Capabilities and limitations; Cost.


Related Articles

  • The spice of life. Robinson, Lucy // Early Music;Aug2008, Vol. 36 Issue 3, p482 

    The article reviews several music releases including "El Fuego," performed by La Compañia, "Farina: Pavane & Gagliarde 1626-1628," performed by the Concerto delle Viole, and "Vierdanck: Capricci, Canzon & Sonatas."

  • AUDIO EASE ALTIVERB 4.  // Electronic Musician;Aug2004, Vol. 20 Issue 10, p20 

    Focuses on Altiverb 4, a version of Audio Ease's convolution reverb plug-in. Key features; Major benefits of using the product; System requirements; Contact information.

  • Sony's SR-777 Sampling Reverb.  // Music Week;7/20/2002, Issue 28, p26 

    Features the sound recording equipment DRE-S777 Sampling Reverb from Sony.

  • Picking up the pieces. Farinella, David // Billboard;3/22/97, Vol. 109 Issue 12, p56 

    Discusses the sound recording industry trend away from analog tape and toward digital audio and videotapes in 1997. Comments from Jim Ringwood vice-president of product development; The transition from soft or magnetic media to digital media; Signs in the industry that indicate digital will be...

  • Production tools. MOLENDA, MICHAEL // Guitar Player;Dec98, Vol. 32 Issue 12, p46 

    Provides information on several home-studio recording gears that are out in the market. Alesis XT20 digital multitracks; Hafler TRM8 powered monitors; ART Tube EQ signal wranglers.

  • notes.  // Pro Sound News;Sep2013, Vol. 35 Issue 9, p30 

    News briefs on sound recording equipment are presented including the Matrix SuperAnalogue mixing console used by music group Depeche Mode, the Focusrite RedNet interfaces at the Recording Arts & Technology college program, and the Presonus portable recording tools used by the band Flying Colors.

  • For studios, connections mean all. Cohen, Toby // Billboard;6/18/94, Vol. 106 Issue 25, p68 

    Focuses on the US sound recording studios' demand for small components for their recording equipment. Connectors needed by Clinton Recording Studios for their microphones; Difficulty of obtaining equipment gears; Suggestions of end users and distributors to accessory manufacturers; Tips from...

  • Budget studio gear breaks barriers. Verna, Paul // Billboard;10/14/95, Vol. 107 Issue 41, p1 

    Reports on the impact of a new generation of low-cost, high-quality recording equipment on the process of record-making in the music recording industry in the United States. Diversification of product mixes at top recording studios; Types of machines available in the market; Benefits of the new...

  • Preview.  // Mix;Jun2002, Vol. 26 Issue 7, p116 

    Features several audio recording equipment available in the U.S. as of June 2002. TRUE Systems' P2 Analog 2-channel microphone preamplifier; DNS2000 noise-suppression system from CEDAR; Universal Audio's 2108 microphone and instrument preamplifier; Features and functions; Prices. INSET: HOT...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics