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- Magix Samplitude Producer 2496 6.0. // Mix;Apr2002, Vol. 26 Issue 5, p170
Discusses the results of the field testing of Magix Samplitude Producer 2496 version 6.0 audio equipment. Key features; Improvement in version 6; Advantages of the file-management system of Samplitude; Keys to maneuvering in Samplitude.
- Mic Preamp Insider. Ciletti, Eddie // Mix;Apr2002, Vol. 26 Issue 5, p182
Examines the parameters for evaluating mic preamps. Factors to be considered during the listening test; Considerations in examining the microphone sensitivity; Calculation of preamp noise.
- New Sound Reinforcement Products. // Mix;Apr2002, Vol. 26 Issue 5, p206
Evaluates several sound reinforcement products. Advantages of the MM-4 Ultra-Compact Wide-Range Loudspeaker from Meyer Sound; Features of the Soundplug cable checker from Visionary Sound Co.; Design of the MH4 multipurpose live performance console offered by Soundcraft.
- Life's a batch. arry The O // Electronic Musician;Dec99, Vol. 15 Issue 12, p70
Focuses on batch sound-file processors.
- SIMULATING A LESLIE. Stars, Jonathan // EQ;Sep2008, Vol. 19 Issue 9, p34
The article offers step-by-step instructions on how to use the Reason B3 sound equipment in music recording.
- sound post/boradcast. // Pro Sound News;Mar2011, Vol. 33 Issue 3, p29
The article offers news briefs related to sound broadcasting, including the installation of a 16+8-fader C10 HD digital console from Solid State Logic Inc. at the North Texas Public Broadcasting's KERA TV-13 station, the implementation of dual faders in an Apollo digital audio console from...
- Live mix: TECHNOLOGY. // Mix;Jun2003, Vol. 27 Issue 7, p86
Highlights various sound equipment products. Features of the Frontline2 15- and 18- inch woofers; Durability of the Beta 54 headworn vocal microphone from Shure; Design of the RMF-1122 MicroFill speaker system from Radian Audio Engineering; Retail price for the 6-channel mixer introduced by...
- Is It Real or Is It Cynicism? // Electronic Musician;May2003, Vol. 19 Issue 6, p162
Comments on the capabilities of the instruments used in sound recording. Lack of correct tools to speed up the process; Improvements needed in technical functions; Quality of sounds produced.
- Digidesign Pro Tools. Rudolph, Barry // Mix;Oct2002, Vol. 26 Issue 11, p252
Provides tips for proper tracking and templating of digital audio pro tools. Importance of monitoring the mix magic; Proper recording in string section across many tracks; Usability of the Import Track function.
