TITLE

"E fez-se o samba": Condicionantes intelectuais da música popular no Brasil

AUTHOR(S)
FERNANDES, DMITRI CERBONCINI
PUB. DATE
March 2011
SOURCE
Latin American Music Review;Spring/Summer2011, Vol. 32 Issue 1, p39
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
In this article I analyze the process of the legitimization of samba in Rio de Janeiro during the period between 1910 and 1930. During this time of the institutionalization of a popular artistic field, the actions of specific agents competed to symbolically demarcate what would later be considered a musical genre. Among these actions, I call attention specifically to the work of two diverse groups of intellectuals whose efforts were of great importance for the recognition and the introduction of samba in the cases of musical reproduction and appreciation in high culture. I seek also to understand the tensions which developed between certain agents linked to the nascent musical genre with respect to the advancement of the process of commodification of artistic production. As such I aim to illuminate one of the possible "levers" that contributed to the shaping of the Brazilian national popular ideology in the arts.
ACCESSION #
65791867

 

Related Articles

  • 18 Popular Culture. Pattie, David // Year's Work in Critical & Cultural Theory;Jan2014, Vol. 22 Issue 1, p354 

    This chapter looks at three areas of work in popular culture in 2012, all of which examine the interaction between popular cultural texts and the societies in which they are produced and consumed. The chapter is divided into three sections: 1. Television: Legitimation and the Classics; 2....

  • Apontamentos para uma crítica marxista do direito. Pinheiro, Jair // Lutas Sociais;2012, Issue 28, p147 

    This article presents notes toward a Marxist legal sociology. It examines the changing place of law in the Marx's work beginning with The German Ideology and then decomposes and analyses the juridical question on three levels 1) the relations of production as legal relations, 2)...

  • NON-ELIMINABILITY AND AMBIVALENCE OF AN IDEOLOGY. Pavlovich, Prytkov Vladimir // Theory & Practice of Social Development;2014, Issue 3, p1 

    The paper analyzes the functions of an ideology in the contemporary society. The author highlights such functions, as: consolidation, goal-setting, management, legitimation, axiological, and communicative. In addition, the negative consequences of consciousness manipulation are stated. The...

  • LEGITIMISING CRITICAL PEDAGOGY IN THE FACE OF TIMOROUS, MECHANISTIC PEDAGOGY. Isaacs, T.; Waghid, Y. // South African Journal of Higher Education;2015, Vol. 29 Issue 4, p158 

    The literature on critical pedagogy is awash, on the one hand, with notions of emancipatory pedagogy that liberate students and teachers from the snares of capitalist ideological hegemony. On the other hand, claims abound about the declining fortunes of critical pedagogy, as it has struggled to...

  • POWER LEGITIMACY IN XV-XVI CENTURY WALACHIA - POLITICAL IDEOLOGY AND SOCIAL REALITIES. Lupu, Ramona Neacsa; Vîlciu, Marian; Anghel, Alina // International Multidisciplinary Scientific Conference on Social ;2014, p559 

    The concept of legitimacy belongs to our common set of notions which are frequently encountered in numerous studies of political ideology and power. Still, we believe that it needs to be better circumscribed and defined. Legitimacy seems to refer to the legal, official and recognized rules to...

  • Modernity's trickster: `Dipping' and `throwing' in Congolese popular dance music. White, Bob W. // Research in African Literatures;Winter99, Vol. 30 Issue 4, p156 

    Focuses on the enigmatic figure of the `atalaku' in Congolese (Zaire) dance music performances. Influence of the `atalaku' on the structure and style of the musical performance; `Atalaku' as an agent of moral decay who is both admired and stigmatized; Latter-day embodiment of the trickster figure.

  • A smart variation in Samba. Romain, Elizabeth // Dance Today;Oct2005, Vol. 50 Issue 49, p44 

    Presents several samba steps.

  • QUICKSTEP.  // Dance Today;Jan2013, Vol. 57 Issue 136, p7 

    The article offers updates in ballroom dancing. The winners of Tony Gilbert's CD "The Swinging Sixties" include R. Allan, L. Davidson and M. Docherty. The DVD "Fairy Tales" features rare early films by the Pathe brothers including music hall and exhibition dancers. Dance My Way's next course in...

  • The samba. Stretch, Rachelle // Dance Today;Apr2012, Vol. 56 Issue 127, p46 

    The article explores the history of the samba. The samba is considered as the hardest of the Latin dances, which captures the atmosphere of the carnival in Rio de Janeiro, Brazil. It traces the origins and development of the samba. It mentions some films which made this dance popular, such as...

Share

Other Topics