Wavemachine Labs Drumagog 5 Drum-Replacement Software

Hickey, Brandon
February 2011
Mix;Feb2011, Vol. 35 Issue 2, p53
The article presents the author's insight on the new features of the drum-replacement software Drumagog version 5 from Wavemachine Labs. The author mentions one of Drumagog's features which is the complexity of randomness and dynamic range. He also states that the tracking engine in version 5 was re-engineered to improve its accuracy. Furthermore, the author adds that Drumagog 5 offers more powerful controls and graphics which make its controls accessible.


Related Articles

  • 'Blood' lines run back to original 'Star Wars' Farinella, David John // Daily Variety;1/8/2008, Vol. 298 Issue 2, pA4 

    The article profiles sound designer and re-recording mixer Chris Scarabosio of the United States. Scarabosio studied audio at San Francisco State University and got a summer internship at Skywalker Sound after completing school. Among the films he had handled include "There Will Be Blood," "The...

  • Bringing Worship Audio to a Strip Mall Setting.  // FRONT of HOUSE;Feb2014, Vol. 12 Issue 5, p7 

    The article focuses on Matt Trask, creative communications director for Mosaic Christian Church in Northern California, who talks about using a GLD-80 mixer from Allen & Heath to mix sound and overcome acoustic challenges for the churchs services.

  • IT'S ALL IN THE MIND, YOU KNOW. LEONARD, JOHN // Live Design;May2010, Vol. 44 Issue 4, p16 

    The article discusses samples blindness in sound design of pantomimes or musical comedy theatrical productions. According to the author's observations, most composers and sound designers no longer hear beyond the samples and do their editing without the musicians. He adds that this could be the...

  • Mixing vocals. Becka, Kevin // Mix;Mar2007, Vol. 31 Issue 3, p28 

    The article presents several points to consider in vocal mixing. Mixing vocals should be done after the song is finished. The placement of vocal in the mix doesn't just involve adjusting the level of the vocal but also the consistency of tone. Use compression to make the track's volume more...

  • WaveMachine Labs Drumagog 5 Platinum. Marshall, Luke // Canadian Musician;Jan/Feb2011, Vol. 33 Issue 1, p22 

    The article evaluates the Drumagog 5 Platinum from Wavemachine Labs.

  • DECONSTRUCTING JAY. Rose, Jay // DV: Digital Video;Jan2007, Vol. 15 Issue 1, p56 

    The author explains how stock formula or step-by-step methods can be used in editing sounds. He recommends taking down notes about possible sound treatments. He emphasizes the need to reduce the Foley list and delete sounds that have been covered by backgrounds or production effects. He suggests...

  • Loud and Clear.  // Electronic Musician;Nov2007, Vol. 23 Issue 12, p58 

    The article discusses a beginner's guide to vocal processing. The author points out that vocal processing works on the basic properties of level, timing, timbre, and patch, but also includes reverberation, spatial placement or movement, and just plain mangling. He emphasizes that level controls...

  • Some unusual reflections in sound. Iles, Tony // Image Technology;Jul/Aug1999, Vol. 81 Issue 7, p14 

    The article reports on the presentation made by distinguished sound editor Tony Jackson at the special event of the London, England branch of the British Kinematography, Sound and Television Society. Jackson provided a number of reminiscences and curios that had taken his fancy in the course of...

  • FUN and GAMES. Peck, Nick // Electronic Musician;Dec2007, Vol. 23 Issue 13, p40 

    The article focuses on the job requirements, work challenges, and rewards of being a game-audio professional in game-audio companies. It mentions the experiences of game-audio professionals which stresses the significance of acquiring skills in three areas of game-audio production, namely,...


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics