Berenson, Ruth
November 1980
National Review;11/14/1980, Vol. 32 Issue 23, p1407
The article reflects on the opening of the Museum of Soviet Unofficial Art in New York City which features the works of dissident artists from the Soviet Union in 1980. It features Aleksandr Glezer who was forced by the Soviet Union to emigrate together with his artworks. It examines the impact of Communism on Soviet art, such as the presence of few pure abstractions in the museum.


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