Berenson, Ruth
June 1977
National Review;6/10/1977, Vol. 29 Issue 22, p680
The article considers the exhibition of Russian and Soviet paintings in the series of shows which the New York City, New York-based Metropolitan Museum has garnered in its detente-motivated alliance with the Soviet Union authorities. It tells of the weaknesses of the shows, the mediocrity of the exhibition, the concepts of most Russian paintings, and the emergence of creativity in Russian art.


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