TITLE

PET NOIRES

AUTHOR(S)
Loppert, Susan
PUB. DATE
December 1992
SOURCE
Modern Painters;Winter92, Vol. 5 Issue 4, p44
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
The article tackles the failure of contemporary feminist art historians or writers on art to communicate. It discusses significant points regarding women's contribution to visual arts that should be tackled. It offers information on African American woman artist Maud Sulter's installation "Hysteria," at the exhibition "Echo: Works by Women Artists 1850-1940," which indicates the disappearance of women artists from history. It also points out Professor Griselda Pollock's view that feminist art historians must reinvent a women's community.
ACCESSION #
59687456

 

Related Articles

  • OBITUARY.  // Diva;Jul2008, Issue 146, p81 

    An obituary for photographer, writer, and cultural historian Maud Sulter is presented

  • Europe's African Heritage in the Creative Work of Maud Sulter. Mabon, Jim // Research in African Literatures;Winter98, Vol. 29 Issue 4, p149 

    Focuses on how Europe's African heritage is portrayed in the creative work of Maud Sulter, a poet, photographer, and art historian, who was born in Glasgow, Scotland, in 1960 Background information on Sulter; Where Sulter's photography is displayed; Reference to Sulter's poems `The Privilege of...

  • The question I ask myself is "What am I? What subject position?" That raises the subject of feminism. Põldsam, Rebeka // Estonian Art;2013, Issue 2, p13 

    An interview with feminist art historian and theorist Griselda Pollock is presented. When asked about why she believes women are envious and men are anxious, she replied that it is an elaboration of what psychoanalyst Anna Freud discussed in her book. Pollock reflects on feminism, masculinities,...

  • THE WOMAN PROBLEM. Schumacher, Bett // Woman's Art Journal;Fall/Winter2010, Vol. 31 Issue 2, p12 

    The article discusses American abstract expressionist painter Helen Frankenthaler, focusing on aspects of gender in her work and her critical reception. The author argues that some critics interpreted Frankenthalers art as gender neutral or universal, rather than feminine. The artist's...

  • FEMINIST AESTHETICS/FRAMING FEMINISM. Boymel Kampen, Natalie // Woman's Art Journal;Fall88/Winter89, Vol. 9 Issue 2, p45 

    The article reviews the books "Feminist Aesthetics," edited by Gisela Ecker and "Framing Feminism," edited by Griselda Pollock and Rozsika Parker.

  • Letters. DICKSON, MALCOLM // Art Monthly;Jul/Aug2015, Issue 388, p16 

    A letter to the editor is presented in response to a review for the exhibition "Maud Sulter -- Passion," which was reviewed by the author Ella S Mills, featured in a previous issue of the periodical "Art Monthly" and held at the Street Level Photoworks gallery in Glasgow, Scotland.

  • Representing Women/Differencing the Canon: Feminist Desire and the Writing of Art's Histories. Levine, Steven Z. // Woman's Art Journal;Spring/Summer2001, Vol. 22 Issue 1, p62 

    The article reviews two books including "Representing Women," by Linda Nochlin and "Differencing the Canon: Feminist Desire and the Writing of Art's Histories," by Griselda Pollock.

  • HYSTERIA — Maud Sulter. Bailkin, Jordanna // Women Artists News Book Review;Spring93, Vol. 18, p31 

    The article reviews the book "Hysteria," by Maud Sulter.

  • FEMINISM & CONTEMPORARY ART: THE REVOLUTIONARY POWER OF WOMEN'S LAUGHTER/GENERATIONS AND GEOGRAPHIES IN THE VISUAL ARTS: FEMINIST READINGS. Block, Elizabeth // Camerawork;Spring/Summer97, Vol. 24 Issue 1, p33 

    The article reviews several books which include the "Feminism & Contemporary Art: The Revolutionary Power of Women's Laughter" by Jo Anna Isaak and "Generations and Geographies in the Visual Arts: Feminist Readings," edited Griselda Pollock.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics