TITLE

The Confluence of Time and Art

AUTHOR(S)
York, Hildreth
PUB. DATE
January 2011
SOURCE
Surface Design Journal;Winter2011, Vol. 35 Issue 2, p6
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
The article features the life and works of Pat Hickman, an artist and an author of the book "Innerskins/Outerskins" in the U.S. It cites her book which reveals and educate about the ways in which traditional cultures learned to use their resources wisely, economically, and practically. Meanwhile, it states that Hickman made an impact on the field of textiles and fiber arts.
ACCESSION #
57620434

 

Related Articles

  • Points of View.  // Fiberarts;Summer95, Vol. 22 Issue 1, p10 

    Interviews with fiber artists Lenore Davis and Pat Hickman is presented. Davis said that she was perfectly happy with the textile medium since her Master of Fine Arts (MFA) was in ceramics from Cranbrook Academy of Art in Bloomfield Hills, Michigan. She said that her area of cloth, dye, sewn...

  • Pat Hickman: On The Threshold.  // Fiberarts;Nov/Dec96, Vol. 23 Issue 3, p28 

    The article describes the body of work created by fiber artist Pat Hickman at the Contemporary Museum in Honolulu, Hawaii. The work was created by Hickman to reflect on the passage of life as it gives over to death. She was inspired to create the work from the deaths in 1994 of Lillian Elliott,...

  • Lillian Elliott and Pat Hickman: The Pleasures and Problems of Collaboration.  // Fiberarts;Sep/Oct85, Vol. 12 Issue 5, p22 

    The article focuses on artists Lillian Elliot and Pat Hickman and the essence of collaboration in their artwork. Elliot is collaborating with Hickman only because they can accomplish objects together which neither of them cannot create if they are alone. She says that trust and honesty are...

  • FISHSKIN & GUT. York, Hildreth // Surface Design Journal;Fall2003, Vol. 28 Issue 1, p32 

    The article discusses the use of fishskin and gut as sources of materials for various artists' works of art. It mentions the significance of the use of these materials to the environment and the introduction of the use of gut by artist Pat Hickman, who has been working with gut since the 1970s....

  • ALMOST ROMAN GLASS. Elliott, Lillian // Fiberarts;Nov/Dec83, Vol. 10 Issue 6, p20 

    The article presents insights from California-based textile artist Lillian Elliott on her collaboration with Pat Hickman in creating a body of art works based on ancient Roman glass. Elliott, who is fascinated with the iridescent colors and irregular shapes of Roman glass, and Hickman created 63...

  • EXPOSURE.  // Surface Design Journal;Summer94, Vol. 18 Issue 4, p24 

    Several photographs are presented that show the designs of Barbara Brandel, Kiki Revoir, and Marshall and Lori Bacigalupi.

  • AUSTRALIAN TEXTILE ART: THE MATERIAL SPEAKS. Hatton, Beth // Craft Arts International;2002, Issue 55, p86 

    Focuses on Australian textile artists and their works. Artists whose works suggest the role of domestic fabrics in the cultural formation of identity; Material used by Jenny Lawrence to express the intangibility of memory; Artists whose works indicate the explorations of self in relation to the...

  • EXPOSURE.  // Surface Design Journal;Summer96, Vol. 20 Issue 4, p26 

    The article presents images of several types of textile crafts by artists such as Berenice Pliskin, Karen Searle, and Katy J. Widger.

  • dyed-in-the-wool TALENTS Artist Credits Success to Creative Upbringing. Block Krol, Debrah // Crafts Report;Feb2013, Vol. 38 Issue 442, p36 

    A personal narrative is presented which discusses the author's career as an artist, with a particular focus on her work in creating fabric art through dyeing, knitting, and felting.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics