TITLE

The Use of Images in the Pastoral Care of Nuns: The Case of Heinrich Suso and the Dominicans

AUTHOR(S)
Hamburger, Jeffrey F.
PUB. DATE
March 1989
SOURCE
Art Bulletin;Mar1989, Vol. 71 Issue 1, p20
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
Examines the role of imagery in the cura monialium, or the pastoral care of nuns, in the circle of the Dominican preacher and mystic, Heinrich Suso. Images described in Suso's writings; Interpretation of the references to art in Suso's writings; Paintings in Suso's chapel.
ACCESSION #
5316017

 

Related Articles

  • MEISTER ECKHART'S SPECTER: FOURTEENTH-CENTURY USES OF THE BULL IN AGRO DOMINICO INCLUDING A NEWLY DISCOVERED INQUISITORIAL TEXT OF 1337. Lerner, Robert E. // Mediaeval Studies;2008, Vol. 70 Issue 1, p115 

    The article discusses a research aiming to show that there are other publications of the "In agro dominico" in several provinces of Europe and the said bull was used to counter Free Spirit heretics more than the "Ad nostrum." As stated, the earliest evidence of the bull was when it was referred...

  • Donatello's Influence on Mantegna's Early Narrative Scenes. Dunkelman, Martha Levine // Art Bulletin;Jun80, Vol. 62 Issue 2, p226 

    Examines the influence of sculpture of Donatello on Andrea Mantegna's paintings. Career background of Mantegna; Comparison of Donatello's and Mantegna's works; Way in which the narrative scenes of the S. Zeno predella illustrate Mantegna's knowledge of Donatello.

  • Bernard McGinn on mysticism & art. McGinn, Bernard // Daedalus;Spring2003, Vol. 132 Issue 2, p131 

    Discusses the relation between art and mysticism. Involvement of a hidden and secret perception of God; Art historians' exploration of the interchanges between art and mysticism; Forms of literal imitation of the Passion of Christ in the late Middle Ages; Programs of Trinitarian representation...

  • 'Hundreds of eyes': Beyond Beholding in Riegl's 'Jakob van Ruysdael' (1902). Heuer, Christopher P. // Journal of Art Historiography;Dec2013, Issue 9, p1 

    A literary criticism of the essay "Jacob van Ruysdael," by Alois Riegel is presented. It explores the argument of Riegel about the categorical history of Dutch painting, the description of Riegel regarding specific artworks and first person statements about present-day reception, and the concept...

  • Canonization in early twentieth-century Chinese art history. Guo Hui // Journal of Art Historiography;6/ 1/2014, Issue 10, p1 

    The article explores the idea of a canon in early twentieth-century Chinese art history. It highlights Zhang Yanyuan's book "Lidai minghua ji" or "Record of Famous Painters of All the Dynasties" suggests the canonical attitude of Zhang towards Chinese painting history. It discusses the process...

  • Women and Nature in the Art of János Thorma. Rád, Szilvia // Hungarian Quarterly;Autum2013, Vol. 53 Issue 207, p148 

    The article discusses the artwork of Hungarian painter János Thorma, focusing on how women and nature were depicted in his paintings. Other topics include biographical information on Thorma and how he developed his style, descriptions of several of Thorma's paintings, and information on the...

  • Ingres and the Studio: Women, Painting, History. Germann, Jennifer // CAA Reviews;6/14/2013, p1 

    The article reviews the book "Ingres and the Studio: Women, Painting, History," by Sarah Betzer.

  • THE DYNAMICS OF THE GAZE: IN MUGHAL PAINTING. Minissale, Gregory // Marg: A Magazine of the Arts;Dec2006, Vol. 58 Issue 2, p51 

    The article focuses on the study of the games in Mughal art based on the series of gazes which represents a meaningful visual order. According to the author, gazes which links figures to create meaningful symbols were often seen in Mughal, and earlier Persian manuscripts. Oleg Grabar stated that...

  • The Subject of Savoldo's Magdalene. Pardo, Mary // Art Bulletin;Mar1989, Vol. 71 Issue 1, p67 

    Interprets Giovanni Gerolamo Savoldo's half-length 'Magdalene' as a novel transformation of the Renaissance devotional image in the light of John 20:11-18, and of narrative and formal developments in Italian painting of half-length format from the period 1475-1505. Details on Savoldo's approach...

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics