Philippe de Champaigne and the Ex-Voto of 1662: A Historical Perspective

Rand Jr., Olan A.
March 1983
Art Bulletin;Mar1983, Vol. 65 Issue 1, p78
Academic Journal
Deals with historical accounts related to the painting 'Ex-Voto,' by Philippe de Champaigne. Reason why Phillipe accomplished the painting; Information on his daughters; Details on the Miracles of Port-Royal.


Related Articles

  • Huntington's discovery. R. C. // Art Newspaper;Jun2010, Vol. 19 Issue 214, p17 

    This article announces the acquisition of the painting "Portrait of Jean de Thévenot, 1633-67," created by Philippe de Champaigne, by the Huntington Library and Art Collection in southern California.

  • The Order of Words and the Order of Things in Painting. Marin, Louis // Visible Language;Spring/Summer89, Vol. 23 Issue 2/3, p188 

    The term "representation" in this paper is taken in the sense that was given it by the grammarians and logicians of Port-Royal. The semiotic experiment attempted here explores the fluctuations of meaning produced by interferences between textual and figurative representation within one picture....

  • By Way of Introduction: Inscriptions as Subversion. Gandelman, Claude // Visible Language;Spring/Summer89, Vol. 23 Issue 2/3, p140 

    This introductory paper defines the scope of the research concerning "inscriptions in painting" from a primarily semiotic point of view. Taking as its point of departure the antinomy between the written word and painting or drawing, it shows that in many cases (from medieval pictograms through...

  • Acquisitions of The Art Museum 1994.  // Record of the Princeton University Art Museum;1995, Vol. 54 Issue 1, p40 

    The article offers information on the acquisition of The Art Museum in Princeton University in Princeton, New Jersey in 1994. Its collection comprises of paintings, sculptures, pottery and watercolor paintings. These masterpieces include "The Four Fathers of the Church","Saint Peter Martyr," by...

  • Limits of the Diaphane II: More Self-Portraits of the Drive.  // Contemporary Psychoanalytic Studies;2012, Vol. 15, p115 

    The article explores the role of psyche in offertory art. It notes the role of perspectival technique in visual power and dominance, as well as the engulfment of vision by the artist's reflections and idiosyncratic preoccupations. It also examines the association of visuality autonomization with...

  • Philippe de Champaigne (1602-1674): Entre politique et d�votion. Bertrand-Dewsnap, Anne // CAA Reviews;10/15/2007, p1 

    The article reviews the book "Philippe de Champaigne (1602-1674): Entre politique et d�votion," by Alain Tapi� and Nicolas Sainte Fare Garnot.

  • Philippe de Champaigne ou la figure du peintre janséniste: Lecture critique des rapports entre Port-Royal et les arts. Bertrand-Dewsnap, Anne // CAA Reviews;3/8/2012, p1 

    The article reviews the book "Philippe de Champaigne ou figure du peintre jansé: Lecture critique des rapports entre Port-Royal et Les arts," edited by Marianne Cojannot-Le Blanc.

  • Painting: Landscape, portrait, and still life.  // World Almanac for Kids;1998, p26 

    Explains three types of paintings including landscape, portrait, and still life, and lists some famous painters and their works. Landscapes by El Greco, Jan Vermeer, Katsushika Hokusai, John Constable, Winslow Homer, and Georgia O'Keefe; Portraits by Leonardo da Vinci, Rembrandt, John Singleton...

  • Paint doesn't have brains. Van Heulle, Jim // Paint & Coatings Industry;Jun94, Vol. 10 Issue 5, p32 

    Supports the notion that paints `do not have brains.' Situations; Challenge on the author's management style; Problems experienced in the paint industry.


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics