TITLE

Giovanni di Paolo's Cosmology

AUTHOR(S)
Dixon, Laurinda S.
PUB. DATE
December 1985
SOURCE
Art Bulletin;Dec85, Vol. 67 Issue 4, p604
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
Explores the sources and meaning of several aspects of Giovanni di Paolo's 'Expulsion From Paradise' 15th-century panel painting in the Lehman Collection. Explanation of the inclusion of an image of the circular universe within a scene of the Expulsion; Source for the image of the geocentric universe; Interpretation of the panel as a whole.
ACCESSION #
5315090

 

Related Articles

  • THE GARDEN OF EMPIRICAL DELIGHTS. Dixon, Laurinda S. // Sciences;Sep/Oct86, Vol. 26 Issue 5, p44 

    Focuses on the painting 'The Creation, and the Expulsion of Adam and Eve from Paradise,' by Giovanni di Paolo. Depiction of science in the painting; Presentation of the Earth as realistic mappemonde; Details of the painting.

  • Looking at Paintings. BROWN, HILTON // American Artist;Dec1983, Vol. 47 Issue 497, p64 

    The article looks on the paintings of 15th-century Sienese painter Giovanni di Paolo. Di Paolo's paintings are inspired by the Sienese School's style which focused on two-dimensional design, high key color, and linear clarity. One of di Paolo's most famous paintings is The Entombment, which is...

  • TENDER: THE ENDURING BEAUTY OF EGG TEMPERA. Krug, Margaret // American Artist;Jun2011, Vol. 75 Issue 820, p46 

    The article discusses the qualities and features of egg tempera as a medium in painting. It claims that the medium was first used for mummy portraits in Greece and Egypt in the 1st century. It cites that the medium gained prominence during the Renaissance period when it was used by such...

  • Devon church panel thefts: site had been targeted before. Bailey, Martin // Art Newspaper;Oct2013, Vol. 23 Issue 250, p6 

    The article briefly reports that it has been revealed that Holy Trinity Church in Torbryan, Devon, England has on several occasions been the site of art thefts, as thieves have taken several examples of the church's 15th-century rood-screen panel paintings.

  • Chapter 4: The Road of Companions.  // Kabbalah & Art;1980, p69 

    Chapter 4 of the book "Kabbalah & Art" is presented. It focuses on the road of companions in the Kabbalah. It was the Judaic meditation that made its moral imperative. Art is the secret metaphysical Woman, the Shekhinah and the Shekhinah, the secret metaphysical Woman is art. Photographs of...

  • ORPHEUS AND EURYDICE: THREE SPALLIERA PANELS BY JACOPO DEL SELLAIO. MIZIOLEK, JERZY // I Tatti Studies;2009, Vol. 12, p117 

    The essay discusses three panels painted by Italian Renaissance artist Jacopo del Sellaio depicting the Greek myth of Orpheus and Eurydice. Specific focus is given to an analysis of written and visual sources that could have influenced these paintings, such as "Metamorphoses" by Ovid or "Favola...

  • The Virgin Nursing the Christ Child.  // Art Newspaper;Jan2012, Issue 231, p29 

    An image of the 15th-century panel painting "The Virgin Nursing the Christ Child," by Hans Memling, is presented.

  • Virgin with Child and Saints.  // Apollo: The International Magazine for Collectors;Dec2011, Vol. 174 Issue 593, preceding p15 

    An image of the 1447-1448 panel painting "Virgin with Child and Saints," by Pietro di Ruffolo, is presented.

  • La Resurrección de Campo de Peñaranda: Una obra inédita de Fernando Gallego. FERNÁNDEZ, FRANCISCO SANZ // Goya;jul-sep2010, Issue 332, p187 

    A new work of the Hispanic-Fleming painter Fernando Gallego has been found recently in Campo de Peñaranda (Salamanca), where already in 1953, M. Gómez Moreno, found two of the most important tables of the production of the painter. It suppose that Gallego there had to be employed in Campo...

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics