Caravaggio's Entombment Considered in Situ
Related Articles
- Trompe l'oeil: Artistic trickery. Capek, Michael // Cricket;Feb1993, Vol. 20 Issue 6, p41
Presents a look at trompe l'oeil art, art that is so realistic viewers think they see something they really aren't. `Unswept Dining Room,' a section of ancient Roman pavement mosaic; `Staircase Group,' by Charles Willson Peale; `Torn in Transit,' by John Haberle; `Torn Paper,' by Alfred...
- Art: Camden town painters. Finch, Christopher // Architectural Digest;Aug92, Vol. 49 Issue 8, p148
Traces the history of the Camden Town Group of painters formed in 1911 in London. The progressive group of painters had Postimpressionist leanings and was soon absorbed by the more radical London Group. Early English modernism; Painters in group; Shows.
- Art: Precisionist painting. Rosenblum, Robert // Architectural Digest;Mar1993, Vol. 50 Issue 3, p140
Discusses the art of Precisionist painters. Optimism of the Machine Age; Finely honed geometries of the paintings; Influences of American artists of the past; `Brooklyn Street Corner,' by Miklos Suba; `Stacks in Celebration,' by Charles Sheeler; `Dynamo,' by Edmund Lewandowski; Hiroshima's...
- Hudson River valley. Wallach, Jeff // Sierra;Jul/Aug92, Vol. 77 Issue 4, p64
Discusses how artists of the `Hudson River School' relished the images of forests clinging to mountain slopes, waterfalls plunging between granite cliffs, and thunderclouds tearing across darkening skies. Works by Thomas Cole, Asher Durand, and Frederick Church; The clash between aesthetics and...
- Grasping at shadows: Ancient paintings in Renaissance and Baroque Rome. // Art Bulletin;Jun92, Vol. 74 Issue 2, p219
Examines the revival of interest in ancient Roman paintings by artists, scholars and collectors in the 16th and 17th centuries and the influence on contemporary art. Roman grottoes; The `grotteschi,' or grotesques; Mosaics; How Renaissace artists were influenced by the ancient paintings of...
- American painters on the grand tour: The lure of Italy, 1760-1870. Hirshler, Erica E. // Magazine Antiques;Nov92, Vol. 142 Issue 5, p714
Focuses on the achievements of American artists in Italy from 1760 to 1870. What Italy represented to these Americans; The effect of foreign travel on their work; The pattern of their Italian tour; Artists who made the tour.
- Harnett, Haberle, and Peto: Visuality and artifice among the proto-modern Americans. Drucker, Johanna // Art Bulletin;Mar1992, Vol. 74 Issue 1, p37
Examines the ways in which the `trompe l'oeil' works of late-nineteenth century artists William Harnett, John Frederick Peto, and John Haberle investigated the reproduction and presentation of visual signs in relation to the presumed order of the real. Fundamental differences between still...
- Reviews. Webster, Steven // Oceania;Mar95, Vol. 65 Issue 3, p281
Reviews the book `Painted Histories: Early Maori,' by Roger Neich.
- The road through the village. Hantover, Jeffrey // Art in America;Mar95, Vol. 83 Issue 3, p43
Focuses on the increased financial opportunities for painters in Vietnam. Growth in the number of commercial galleries in the country; History of Western painting in Vietnam; Popular painting styles in Vietnam; Modernism in the North; Abstraction in the North.
