Caravaggio's Entombment Considered in Situ

Wright, Georgia
March 1978
Art Bulletin;Mar1978, Vol. 60 Issue 1, p35
Academic Journal
Focuses on the painting 'Entombment,' by Michelangelo Merisi da Caravaggio. Description of a copy of the painting in the context of the celebration of the Mass in the Chapel of the Chiesa Nuova; Analysis of the painting; Approach to analysis; Discussion on the documentary history of 'Entombment.'


Related Articles

  • Trompe l'oeil: Artistic trickery. Capek, Michael // Cricket;Feb1993, Vol. 20 Issue 6, p41 

    Presents a look at trompe l'oeil art, art that is so realistic viewers think they see something they really aren't. `Unswept Dining Room,' a section of ancient Roman pavement mosaic; `Staircase Group,' by Charles Willson Peale; `Torn in Transit,' by John Haberle; `Torn Paper,' by Alfred...

  • Art: Camden town painters. Finch, Christopher // Architectural Digest;Aug92, Vol. 49 Issue 8, p148 

    Traces the history of the Camden Town Group of painters formed in 1911 in London. The progressive group of painters had Postimpressionist leanings and was soon absorbed by the more radical London Group. Early English modernism; Painters in group; Shows.

  • Art: Precisionist painting. Rosenblum, Robert // Architectural Digest;Mar1993, Vol. 50 Issue 3, p140 

    Discusses the art of Precisionist painters. Optimism of the Machine Age; Finely honed geometries of the paintings; Influences of American artists of the past; `Brooklyn Street Corner,' by Miklos Suba; `Stacks in Celebration,' by Charles Sheeler; `Dynamo,' by Edmund Lewandowski; Hiroshima's...

  • Hudson River valley. Wallach, Jeff // Sierra;Jul/Aug92, Vol. 77 Issue 4, p64 

    Discusses how artists of the `Hudson River School' relished the images of forests clinging to mountain slopes, waterfalls plunging between granite cliffs, and thunderclouds tearing across darkening skies. Works by Thomas Cole, Asher Durand, and Frederick Church; The clash between aesthetics and...

  • Grasping at shadows: Ancient paintings in Renaissance and Baroque Rome.  // Art Bulletin;Jun92, Vol. 74 Issue 2, p219 

    Examines the revival of interest in ancient Roman paintings by artists, scholars and collectors in the 16th and 17th centuries and the influence on contemporary art. Roman grottoes; The `grotteschi,' or grotesques; Mosaics; How Renaissace artists were influenced by the ancient paintings of...

  • American painters on the grand tour: The lure of Italy, 1760-1870. Hirshler, Erica E. // Magazine Antiques;Nov92, Vol. 142 Issue 5, p714 

    Focuses on the achievements of American artists in Italy from 1760 to 1870. What Italy represented to these Americans; The effect of foreign travel on their work; The pattern of their Italian tour; Artists who made the tour.

  • Harnett, Haberle, and Peto: Visuality and artifice among the proto-modern Americans. Drucker, Johanna // Art Bulletin;Mar1992, Vol. 74 Issue 1, p37 

    Examines the ways in which the `trompe l'oeil' works of late-nineteenth century artists William Harnett, John Frederick Peto, and John Haberle investigated the reproduction and presentation of visual signs in relation to the presumed order of the real. Fundamental differences between still...

  • Reviews. Webster, Steven // Oceania;Mar95, Vol. 65 Issue 3, p281 

    Reviews the book `Painted Histories: Early Maori,' by Roger Neich.

  • The road through the village. Hantover, Jeffrey // Art in America;Mar95, Vol. 83 Issue 3, p43 

    Focuses on the increased financial opportunities for painters in Vietnam. Growth in the number of commercial galleries in the country; History of Western painting in Vietnam; Popular painting styles in Vietnam; Modernism in the North; Abstraction in the North.


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics