Bernini and Benedetti at Trinita dei Monti

Marder, Tod A.
June 1980
Art Bulletin;Jun80, Vol. 62 Issue 2, p286
Academic Journal
Discusses the relationship between seventeenth-century drawings that have been attributed to Gian Lorenzo Bernini and Roman dilettante Elpidio Benedetti. Historical background on the drawings; Description of the drawings; Similarities of the drawings; Collaboration between Bernini and Benedetti.


Related Articles

  • The Influence of Galileo on Bernini's Saint Mary Magdalen and Saint Jerome. Chamberlain, Harriet Feigenbaum // Art Bulletin;Mar1977, Vol. 59 Issue 1, p71 

    Focuses on the influence of Galileo's works on gravity and materials on the creation of the statues 'Saint Mary Magdalen' and 'Saint Jerome,' both by Gian Lorenzo Bernini in the 17th century. Problem of balance in the creation of the statues; Relevance of Galileo's theories in art.

  • Old Age and Old-Age Style in the 'Lives' of Artists: Gianlorenzo Bernini. Soussloff, Catherine M. // Art Journal;Jun87, Vol. 46 Issue 2, p115 

    Examines the sculptures of Gianlorenzo Bernini in his old age. Problems and implications; Range of themes and subject matter explored by Bernini's sculptures; Theoretical significance of the study.

  • Bernini's d'Aste family tombs in S. Maria in Via Lata, Rome: A reconstruction. Habel, Dorothy Metzger // Art Bulletin;Jun97, Vol. 79 Issue 2, p291 

    Reconstructs the development of the d'Aste family tombs in S. Maria, Via Lata, Rome to illustrate the evolution of Gian Lorenzo Bernini's aesthetics. Comprehensive design; Alteration during artist's own lifetime; Effect on other building campaigns during the time.

  • Desiderio and Diletto: Vision, Touch, and the Poetics of Bernini's Apollo and Daphne. Bolland, Andrea // Art Bulletin;Jun2000, Vol. 82 Issue 2, p309 

    Focuses on Gian Lorenzo Bernini's statue titled Apollo and Daphne. Source of the canonical poetic treatment of the story of Apollo and Daphne; Variety of possible visual sources for Bernini's statue group; Period of transition in Bernini's career.

  • Cleaning on high.  // National Catholic Reporter;1/4/2013, Vol. 49 Issue 6, p11 

    The article reports the cleaning of hundred feet high statue of Gian Lorenzo Bernini in Vatican City on December 18, 2012.

  • PREVIEW.  // Bernini & the Excesses of Art;2002, preceding p10 

    A preview of the sculpture "Truth Unveiled by Time," by Gianlorenzo Bernini is presented.

  • Model for the Lion on the Four Rivers Fountain (Detail).  // Ceramics: Art & Perception;2013, Issue 94, preceding p3 

    The article presents an image of the pottery sculpture "Model for the Lion on the Four Rivers Fountain" created by Italian sculptor Gian Lorenzo Bernini.

  • Ecstasy and Vision: Two Concepts Connected with Bernini's Teresa. Warma, Susanne // Art Bulletin;Sep84, Vol. 66 Issue 3, p508 

    Focuses on 'The Ecstasy of Saint Teresa,' a sculpture by Lorenzo Bernini which shows the ecstasy experienced by Saint Teresa when her heart was pierced by an angel. Formal and thematic innovations of Bernini in the subject; Details on Saint Teresa's writings about her mystical experience; Types...

  • Medusa.  // Scholastic Art;Oct/Nov2015, Vol. 46 Issue 2, p23 

    An image of the sculpture "Medusa" by Gian Lorenzo Bernini is presented.


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics