Velazquez's Las Hilanderas: A New Interpretation
- On Velazquez's Working Method. McKim-Smith, Gridley // Art Bulletin;Dec79, Vol. 61 Issue 4, p589
Examines several paintings created by artist Diego Vel Ã¡ zquez. Surrender of Breda; Guardian Angel; Portrait of Cardinal Borja.
- Illustrations. // VelÃ¡zquez: Reflections in A Golden Eye;2006, p19
Several images of the paintings of Diego Rodriguez de Silva y VelÃ¡zquez are presented.
- Las Meninas and the king's two bodies. Broadfoot, Keith // Word & Image;Jul-Sep2001, Vol. 17 Issue 3, p219
Presents the Las Meninas painting painted in 1656 by Diego Velazquez. Original title of the painting; Demonstration of Velazquez's knowledge; Conformation to some standard depiction of Royalty.
- Servant of the servants. BLEEM, JERRY // U.S. Catholic;May2011, Vol. 76 Issue 5, p50
The article describes the painting "Kitchen Maid with the Supper at Emmaus," by Diego Velazquez.
- Las Meninas. // Arte y Parte;ago/sep2012, Issue 100, p68
A reproduction of the painting "Las Meninas" by Spanish artist Diego VelÃ¡zquez is presented.
- FRIED EGGS TO SAVOR. Mortimer, John // Smithsonian;May2005, Vol. 36 Issue 2, p124
Focuses on a painting by Diego VelÃ¡zquez which features an older woman cooking eggs. Features of the people in the painting.
- Viewing Velazquez. Prose, Francine // Travel & Leisure;May99, Vol. 29 Issue 6, p134
Reports on exhibitions mounted by Spain in Madrid and Seville to commemorate painter Diego Velazquez's 400th birth anniversary. Focus on works including `Infanta Margarita,' `Mother Jeronima de la Fuente,' `Surrender of Breda' and others.
- Velazquez and Las Meninas. Kahr, Madlyn Millner // Art Bulletin;Jun75, Vol. 57 Issue 2, p225
Provides information on the work of Spanish painter Diego Velazquez. Education and training of the painter; Discussion on the painting 'Las Meninas'; Description of the religious painting commissioned by the monarchy.
- Room Two. // VelÃ¡zquez: Reflections in A Golden Eye;2006, p10
The article discusses the study trip of Diego Rodriguez de Silva y VelÃ¡zquez in Italy. The said trip has brought him to the post-Baroque art in Rome, where he was engaged in the use of classical quotation and their pictorial skills in large-scale theatrical compositions. Moreover, with a...