TITLE

What's a stereographer?

AUTHOR(S)
ANTHONY R. GARGAN
PUB. DATE
March 2010
SOURCE
Broadcast Engineering;Mar2010, Vol. 52 Issue 3, p130
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
The article offers information on stereographer, a person who is involved in 3-D production in the broadcasting industry. The main function of the stereographer is proper usage of the depth planes which includes taking care to see that there is no mismatch in the zoom ratios of the lenses used by the twin lens camera used in the 3-D production. The challenges in developing content for 3-D production are also mentioned.
ACCESSION #
50136063

 

Related Articles

  • camera crews. Meek, Simon // Televisual;Oct2001, p65 

    Evaluates the camera crewing sector of the televisio broadcasting industry. Forecast on the trends in the sector; Reasons for the lack of an increase in camera crewing works; Format used in camera works.

  • ...and action.  // Televisual;Oct2002, p67 

    Comments on the difficulties experienced by camera crew hire companies in Great Britain in 2002. Decline in the number of commissions; Producers' continued use of DVCam; Changes occurring at high levels in broadcasting companies; Broadcasters' reluctance to commit to long-term schedules.

  • A taste of the late '40s through the early '60s found in amateur stereo slides. Willke, Mark // Stereo World;May/Jun2006, Vol. 31 Issue 6, preceding p1 

    The article presents two stereoscopic slides from the late 1940s through the early 1960s. The first image was provided by James Ramsey, who found it in an accumulation of older Realist slides. It was shot on Kodachrome film. The second image was also shot on Kodachrome film and was mounted in a...

  • Analog Stereo: Magic Without a Mouse. Snelson, Kenneth // Stereo World;May/Jun2006, Vol. 31 Issue 6, p14 

    The article discusses the author's experience of stereoscopic photographing of still-life scenes. In of the author's still-life setups, he included a hand mirror. He noticed how its reflections became a special spot in the scene, which altered the spatial quality dramatically suggesting an idea...

  • Ultra-Precise Hybrid Lens Distortion Correction. Bräuer-Burchardt, Christian; Kühmstedt, Peter; Notni, Gunther // World Academy of Science, Engineering & Technology;2012, Issue 71, p179 

    A new hybrid method to realise high-precision distortion determination for optical ultra-precision 3D measurement systems based on stereo cameras using active light projection is introduced. It consists of two phases: the basic distortion determination and the refinement. The refinement phase of...

  • Mobile home. Johnson, Kevin // Broadcast Engineering;Nov2011, Vol. 53 Issue 11, p28 

    The article offers the author's views on the significance of crew car for television news photographers in the U.S. He suggests that crew cars should be equipped with a supply of non-perishable foods and snacks, good music and a simple hair dryer to dry out the camera and lens elements during...

  • Single Government Channel Serves Four California Cities. SMITH, J. J. // Government Video;May2013, Vol. 24 Issue 6, p30 

    The article highlights the achievement of the Public Cable Television Authority (PCTA) which functions from Orange County in California. It mentions that the PCTA is a government funded channel that serves four cities in California with only three staff. It mentions that most of the work of the...

  • DANCING WITH THE STARS. Kelley, Seth // Variety;8/4/2015, Vol. 328 Issue 19, p71 

    The article discusses the dance competition television (TV) program "Dancing With the Stars" and its nomination for 2015 Creative Arts Emmy Awards for its dance routines, makeup, lighting, hairstyling, and its creative team of directors and camera operators such as Steadicam operator Hector Ramirez.

  • Andrey Walkling Interviews Mike Dillon, Camera Operator on Survivor 2. Walkling, Andrey // Australian Screen Education;Autumn2001, Issue 25, p122 

    Interviews Mike Dillon, a camera operator on the television series 'Survivor 2.' Difficulties in filming the series; Accommodation provided while shooting the series; Interaction of the crew with the Survivors; Favorite shots; Dangers faced while filming.

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics