TITLE

The self pictured: Manet, the mirror, and the occupation of realist painting

AUTHOR(S)
Galligan, Gregory
PUB. DATE
March 1998
SOURCE
Art Bulletin;Mar1998, Vol. 80 Issue 1, p138
SOURCE TYPE
Academic Journal
DOC. TYPE
Article
ABSTRACT
Defines the semiotic representation gained by painter, Edouard Manet from painters who practiced realism. Indications that the early historical precedence of a mirror mode in realist painting calls for a new and multivalent reading of mimickry; Effect of the movement on the public's reception of the premodern era in art.
ACCESSION #
436703

 

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