CGI, exotic locales point the way to next millennium

Roberts, Jerry
January 2001
Daily Variety;01/18/2001, Vol. 270 Issue 34, pA2
Trade Publication
Reports on the use of computers to paint in scenery in motion pictures. Crossing of national borders to globalize exotic images; Creation of more options and concepts for Hollywood's production designers.


Related Articles

  • Editorial. Beumers, Birgit // Studies in Russian & Soviet Cinema;2009, Vol. 3 Issue 2, p133 

    An introduction to the journal is presented in which the editor discusses the condition of motion picture industry in Russia, cinematography, and contribution of filmmaker.

  • Awkward transitions: Hitchcock's blackmail and the dynamics of early film sound. Belton, John // Musical Quarterly;Summer99, Vol. 83 Issue 2, p227 

    Focuses on the dynamics of early film sound from around the world. Style of sound filming and recording in the early days; Role of the motion picture `Blackmail' in documenting the transition-to-sound period and the introduction of aesthetic changes; Impact of technological developments in the...

  • WAITING (AND WAITING) FOR ANOTHER ROGER RABBIT. Maio, Kathi // Fantasy & Science Fiction;Aug2001, Vol. 101 Issue 2, p80 

    Comments on several movies that mix animation and live action.

  • Lines are dawn in battle for first animation Oscar. Galloway, Stephen // Hollywood Reporter -- International Edition;1/22/2002, Vol. 371 Issue 41, p1 

    Reports the competition existing among animated motion picture in the Oscar Academy Award. Amount of sales generated by the animation 'Shrek'; Criteria for the award selection of the film; List of other qualified animated films ruled by the Academy.

  • Institutional histories. Thompson, Kristin // Film History;1993, Vol. 5 Issue 4, p360 

    The article discusses various reports published within the issue, including one by Lea Jacob on the impact of theatrical lightning technology and practice on film style and another by Charlie Kiel on the public identity of trade-paper advertising produced by an independent group of producers.

  • The Kindest Cut. Kaplan, Ben // New York;12/3/2001, Vol. 34 Issue 46, p82 

    Previews the Master Class: The Art of Film Editing program, which deals with discussions about films and editing techniques.

  • R.P.S. EXHIBITION OF KINEMATOGRAPHY. ORAM, E. // Journal of the British Kinematograph Society;Jan1939, Vol. 2 Issue 1, p60 

    The article reviews the exhibition "Sixth Annual Exhibition of Kinematography," at Russell Square in London, England from November 12 to 26, 2006.

  • Also received.  // Velvet Light Trap: A Critical Journal of Film & Television;Spring72, Issue 4, p55 

    The article lists additional books received for review including “A Mirror for England,” by Raymond Durgnat, “Ustinov in Focus,” by Tony Thomas, and “Hollywood Today,” by Pat Billings and Allen Eyles.

  • Visions of light.  // Daily Variety;2/14/2003, Vol. 278 Issue 32, pA2 

    Highlights the film making strategies of various cinematographers of award-winning films and television shows in the U.S. Color scheme of the film 'Road to Perdition'; Approach of Edward Lachman in creating a 1950s look in the film 'Far From Heaven'; Scheme of Victor Goss in creating a...

  • Editor's Note. Pizzello, Stephen // American Cinematographer;Feb2010, Vol. 91 Issue 2, p8 

    An introduction to the journal is presented in which the editor discusses the articles "Bad Moon Rising," by Shelly Johnson, "Artistry and Conscience" and "Working With the Red," by Christopher Probst.


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics