TITLE

The Sleigh and the Rocks and the Whos and their Socks

AUTHOR(S)
Robertson, Barbarra
PUB. DATE
December 2000
SOURCE
Computer Graphics World;Dec2000, Vol. 23 Issue 12, p20
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
Features the work of Digital Domain in providing the visual effects using computer graphics for the film 'How the Grinch Stole Christmas,' from Universal Pictures. Creation of photorealistic real worlds; Use of Alias/Wavefront's Maya to create terrain; Use of Side Effects' Houdini for procedural animation; Use of Mental Images' Mental Ray, Pixar Animation Studio's PR Rendleman and Interactive Effects' Amazon Paint.
ACCESSION #
3934564

 

Related Articles

  • Animation hybrids blur effects line. Wolff, Ellen // Daily Variety;01/22/2001, Vol. 270 Issue 36, pA11 

    Discusses the trend in United States motion pictures of using a combination of visual effects and animation in some scenes. Blend of three-dimensional computer animation, two-dimensional matte paintings and a variety of photographed elements; Application of computer graphics to the film 'Dr....

  • INSIDE THE MAGIC OF THE MAESTRO. Idelson, Karen // Daily Variety;11/30/2012, Vol. 317 Issue 43, p27 

    The article discusses the films that makeup artist Rick Baker considered as compelling moments in his career. It mentions that he considers "An American Werewolf in London" as the most transformative one he has done for makeup work. It notes that the most complicated one he has worked into is...

  • SEUSSIAN EFFECTS. Eby, Douglas // Cinefantastique;Dec2000, Vol. 32 Issue 4/5, p14 

    The article provides information concerning the use of computer graphics interface (CGI) in motion pictures industry. Referring to the quantity of computer graphics digital imaging work for the film "How the Grinch Stole Christmas," visual effects supervisor Kevin Mack said that there was just...

  • CLEAR MENSER. Donaldson, Sonya // Black Enterprise;Dec2006, Vol. 37 Issue 5, p120 

    The article profiles Clear Menser, a lead FX animator at Tippett Studio. He earned a bachelor's degree in computer art from Savannah College of Art and Design, then working as an artist on Final Fantasy and honing his talent as an entry-level support staffer on feature films such as How the...

  • The grand illusion. Robertson, Barbara // Computer Graphics World;Jan98, Vol. 21 Issue 1, p22 

    Focuses on Venice, California-based Digital Domain's use of computer graphics to create the special effects for the motion picture `Titanic.' Challenges faced by Digital Domain artists in making the ship Titanic believable; Creation of realistic three-dimensional water and three-dimensional...

  • A Blur and a Final Touch. Robertson, Barbara // Computer Graphics World;Jan2009, Vol. 32 Issue 1, p15 

    The article presents information on the use of Vector Blur Z, a motion-blur technique developed by creative director of software Doug Roble and implemented in Nuke software of Digital Domain for the motion picture "The Curious Case of Benjamin Button." To add motion blur in Nuke, Roble had...

  • movies. Lovece, Frank // Sound & Vision;Dec2001, Vol. 66 Issue 10, p141 

    Reviews the motion picture 'Dr. Seuss' How the Grinch Stole Christmas.'

  • Yule Be Sorry... Burr, Ty // Entertainment Weekly;11/23/2001, Issue 627, p59 

    Reviews the motion picture 'Dr. Seuss' How the Grinch Stole Christmas.'

  • DR. SEUSS' HOW THE GRINCH STOLE CHRISTMAS (Motion picture). Burr, Ty // Entertainment Weekly;12/21/2001-12/28/2001, Issue 631/632, p121 

    Reviews the digital video disc 'Dr. Seuss' How the Grinch Stole Christmas.'

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics