TITLE

Tony Dyer Witness to a Changing Field

AUTHOR(S)
Peers, Juliette
PUB. DATE
April 2009
SOURCE
Surface Design Journal;Spring2009, Vol. 33 Issue 3, p10
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
The article focuses on the artwork and artistic ability of Tony Dyer. The artist's characteristic use of commercial fabrics borrows a predetermined structural grid to his work. The works of Dyer is engaged with large debates on public history, historical memory and textiles in contemporary Australia. Furthermore, the artist counteracts any stereotypical urge to typecast textiles as feminine.
ACCESSION #
37596646

 

Related Articles

  • Tales of the Unexpected. JERVIS, JOHN // ArtAsiaPacific;Jul/Aug2013, Issue 84, p50 

    The article examines the lie and work of the Chinese contemporary artist Ho Sin Tung. Particular focus is given to her graphite drawings, which are often inspired by literature, motion pictures and history. Additional topics discussed include her studies at the Chinese University of Hong Kong,...

  • Thinking with art: from situated knowledge to experiential knowing. Sutherland, Ian; Acord, Sophia Krzys // Journal of Visual Art Practice;2007, Vol. 6 Issue 2, p125 

    New movements in the creative disciplines have disrupted traditional understandings of knowledge and knowledge production. Knowledge in creative practice is increasingly seen through the process of creating, mediating and encountering art rather than in any perceived final form. Examining recent...

  • INFINITI JEST: BRUCE NAUMAN & CONTEMPORARY ART as CONTINUOUS PROCESS. Diack, Heather // C: International Contemporary Art;Summer2009, Issue 102, p12 

    The article explores the works of American artist Bruce Nauman. His work has persistently played with melancholy mixed with humour, as well as with the trope of failure and of failed communication. As he has been selected as the representative of the U.S. national pavilion at the 53rd Venice...

  • The Context of Contemporary Chinese Art in the New Century. Lü Peng // Yishu: Journal of Contemporary Chinese Art;Jan2013, Vol. 12 Issue 1, p9 

    The article discusses the contemporary Chinese art in the modern century. It says that the economic crisis made the Chinese artists and critics to realize the impact of globalization to the economy, technology, politics, and culture. It states that in the art world, socialism and modernism have...

  • 5. THE THEORETICAL DEVELOPMENT OF STUDENT' ARTISTIC CREATIVITY (DSAC). Arbuz-Spatari, Olimpiada // Review of Artistic Education;2015, Issue 9/10, p279 

    The theoretical model in pedagogical research has primarily the reason of representing in a verbal or in a graphic modality the way to achieve the purpose of research, first component of the model developed by us and applied in the experimental research is students' creativity. The purpose or...

  • LISA OPPENHEIM.  // Art Review;Sep2008, Issue 25, p90 

    The article highlights the photographs of Lisa Oppenheim which feature a Polaroid of white piece of paper and a black piece of paper. The photographs document a life cycle, the coming into being of an image as a medium. It examines the death of various celluloid materials and the optical...

  • LEGI BILITY OF EFF ORT.  // Art Review;Jan2008, Issue 18, p74 

    The article reflects on the significant value of artists' efforts in contemporary art. It claims that artists must find a reason to keep on working and developing art. It likewise associates the tendency towards compulsive repetitions and accumulations to the works of artists like Ingrid Calame,...

  • editorial. Malarcher, Patricia // Surface Design Journal;Spring2009, Vol. 33 Issue 3, p2 

    The article discusses the importance of surveying contemporary textile art in Australia. It is noted that there are increasing numbers of Americans who are heading to Australia to teach and exhibit at schools and events. Conferences of the Surface Design Association are examples of the many...

  • MARCIA MORSE: A Collaboration with Paper. Rowley, Kathleen // Fiberarts;Mar/Apr84, Vol. 11 Issue 2, p20 

    The article focuses on the use of paper by artist Marcia Morse in creating various forms of arts. Morse utilized paper as a primary material in her works because through it she can bind variant cultural traditions and attitudes. In addition, she could link the information of graphic process with...

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics