TITLE

Rage Against The Machine

PUB. DATE
October 2008
SOURCE
Mix;Oct2008, Vol. 32 Issue 11, p90
SOURCE TYPE
Periodical
DOC. TYPE
Interview
ABSTRACT
An interview with front-of-house engineer Brad Madix is presented. Madix imparts that he only carries enough gear for every performance of the band Rage Against the Machine. When asked about his mixing style for the band, he imparts that he prefers loud mixing. He imparts that he keeps his style the same when coming into a festival.
ACCESSION #
36095568

 

Related Articles

  • When There's No Familiar Ground, Start Digging. Morgan, David // FRONT of HOUSE;Nov2013, Vol. 12 Issue 2, p39 

    A personal narrative is presented which explores the author's experience of mixing a performance by Seal for a corporate event held at the EnergySolutions Arena in Salt Lake City, Utah.

  • From The Pro Sound News Blog.  // Pro Sound News;Dec2014, Vol. 36 Issue 12, p20 

    A post from the website prosoundnetwork.com/dec2014 regarding professional audio engineers is presented.

  • FixIt.  // Mix;Sep2007, Vol. 31 Issue 9, p68 

    The article offers step-by-step instructions on how to strengthen the front-of-house sound mix when employing a Yamaha PM5D.

  • YOU'RE HIRED!  // Mix;Jan2012, Vol. 36 Issue 1, p50 

    A personal narrative is presented exploring the author's experience of engineering the sound for a commercial real-estate CoStar event held at the Westin Market Street ballroom in San Francisco, California requiring proper microphone placement, speaker positioning, and equalization (EQ) techniques.

  • Tom Fleischman. Eskow, Gary // Mix;Apr2007, Vol. 31 Issue 4, p58 

    The article explores the career of Tom Fleischman as re-recording mixer at Sound One post-production facility in New York City. Fleischma serves as re-recording mixer for film directors such as Martin Scorsese, Spike Lee and Ron Howard. He also worked on low-budget films for first-time...

  • Digital Mix For Juan Gabriel.  // FRONT of HOUSE;Oct2014, Vol. 13 Issue 1, p24 

    The article reports that front-of-house engineer Rodrigo López uses its live sound console from Solid State Logic Inc. at the U.S. concert tour of Mexican pop icon Juan Gabriel in Mexico City, Mexico in 2014.

  • Professional Sound's Live Sound Tech Survey 2012.  // Professional Sound;Aug2012, Vol. 23 Issue 4, p11 

    This article presents the results of a 2012 "Professional Sound" magazine poll of live audio professionals working in Canada.

  • Echo in the Canyon. Morgan, David // FRONT of HOUSE;Nov2015, Vol. 14 Issue 2, p47 

    The author discusses his experience as front of house (FOH) sound mixing engineer for a show to celebrate the Southern California music and musicians that dominated the industry in the late 1960s.

  • The Advocates of Connection. YOUNG, CLIVE // Pro Sound News;Dec2015, Vol. 37 Issue 12, p8 

    The author discusses on the role of sound engineers to keep helping people connect, whether one mixes, designs, installs, records, repair, manufactures or whatever his/her role is in pro audio.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics