TITLE

McCoy Tyner

AUTHOR(S)
Jackson, Blair
PUB. DATE
December 2008
SOURCE
Mix;Dec2008, Vol. 32 Issue 13, p52
SOURCE TYPE
Periodical
DOC. TYPE
Article
ABSTRACT
The article underscores the sound engineering of McCoy Tyner's album "Guitars." It states that for these quartet recordings Tyner was joined by bassist Ron Carter and drummer Jack DeJohnette. It also mentions that Randy Funke mixed the album at his home studio, Zone Media, and he sent mixes to John Snyder who produced the album.
ACCESSION #
35532077

 

Related Articles

  • MICOY TYNER. J. H. // Bass Player;Dec2008, Vol. 19 Issue 13, p64 

    The article reviews the music release "Guitars," performed by McCoy Tyner.

  • MCCOY TYNER. Gallant, Michael // Keyboard;Mar2009, Vol. 35 Issue 3, p32 

    An interview with jazz pianist McCoy Tyner about his "Guitars" album is presented. When asked on who gave the idea on playing duets with many talented guitarists, he cites that he had worked with guitarists like Carlos Santana and John Coltrane before, and thought it was time to do guitar again....

  • The Limits Of Compression. Lurssen, Gavin // Mix;Dec2008, Vol. 32 Issue 13, p40 

    The author offers his thoughts on mastering or sound engineering. He states that mastering is not just about pushing the limits, and that it requires a certain amount of pushing the boundaries to provide sound that fits the mainstream and the expectations of most average consumers of music. He...

  • EFFECTS OF DELAYED VISUAL CONTROL ON WRITING, DRAWING AND TRACING. Kalmus, H.; Fry, D. B.; Denes, P. // Language & Speech;Apr-Jun60, Vol. 3 Issue 2, p96 

    The article studies the effect of delayed visual control on writing, drawing and tracing. The first experiments employing delayed sensory feedback were performed in the acoustic field. Delay in acoustic feedback also affects non-vocal activities. The experiments consisted of replaying speech of...

  • NASHVILLE Skyline. Cooper, Peter // Mix;Dec2008, Vol. 32 Issue 13, p28 

    The author offers his thoughts on sound engineering. He mentions the attitude of artists who come to studios to have their albums or songs enhanced so that they will become good pieces of music. He also underscores that too much mastering or sound engineering have eventually affected the kind of...

  • From LP To MP3. Brown, Janice // Mix;Dec2008, Vol. 32 Issue 13, p32 

    The article offers information on mastering or sound engineering. It states that the role of the mastering engineer has become more consultative as artists engage multiple release formats for their albums. It also mentions that mastering engineer Paul Stubblebine has to advertise that he is...

  • tour log.  // Mix;Dec2008, Vol. 32 Issue 13, p62 

    An interview with FOH sound engineer Jimmy "Ace" Acevedo is presented. He mentions that he has been mixing for Jakob Dylan and his band for quite sometime and that he has been an engineer for The Wallflowers for 12 years. He also mentions that he has been carrying a Bob Heil mic package and some...

  • EASE & CLARITY A PRIVATE LESSON WITH RON CARTER. Jisi, Chris // Bass Player;Sep2003, Vol. 14 Issue 9, p42 

    Focuses on the private lessons offered by bass player Ron Carter to aspiring musicians in New York. Importance of choosing the right bass size for each student; techniques used in plucking; Methods of getting different tones and volume output.

  • Effect of disk acceleration on the generation of acoustic emission signal at the head-disk... Ravirikan, A.; Liew, T. // Journal of Applied Physics;4/15/1999 Part 2B of 2, Vol. 85 Issue 8, p5612 

    Presents information on a study of the generation of acoustic emission (AE) signal from head-disk interaction as a function of acceleration of the disk. Uses of AE; Use of negative pressure (NPS) and positive pressure (PPS) sliders; Responses of lubricated and unlubricated disks to disk...

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics