Heron, Patrick
March 1993
Modern Painters;Spring93, Vol. 6 Issue 1, p10
The article discusses key issues concerning the paintings by Henri Matisse and the superiority of his original paintings over the reproductions of the artworks. It includes background information on Matisse and his painting techniques that made him one of the greatest artist of the 20th century, as well as a discussion of the issues' implications for modern art.


Related Articles

  • Picasso and Matisse Ferocious competitors, generous collaborators. Carrier, David // Modern Painters;Summer1999, Vol. 12 Issue 2, p92 

    The article reports on the rivalry of Henri Matisse and Pablo Picasso in terms of style in painting. It states that Matisse and Picasso were famous artists whose concerns were similar for them to borrow from each other without losing their own identities, but with different styles so that each...

  • The Background of Matisse. Holley, Horace // New Republic;2/20/15, Vol. 2 Issue 16, p74 

    Focuses on the influence of French Fauvist painter Henri Matisse to his contemporaries. Rise of the so-called modern movement in France; Definition and description of the movement; Attempt of painter Paul Cezanne to control the movement; Artistic styles and techniques of Paul Gauguin and Vincent...

  • The World of Fabulous Fables.  // Time;8/25/1967, Vol. 90 Issue 8, p60 

    The article focuses on the works of Persian miniature painters Henri Matisse and Pierre Bonnard. It notes that Matisse and Pierre had practiced their art to a perfection that scholars cannot determined whether they used pen or brush on their paintings. Moreover, it mentions the strategy of...

  • MATHIEU CHERKIT. Pigeat, Anaël // Art-Press;mar2013, Issue 398, p58 

    The article focuses on paintings created by French contemporary painter Mathieu Cherkit. It discusses the depiction of his family house located in Saint-Cloud, France, in his paintings and the influence of Flemish Primitives, or early Netherlandish paintings. The many references to other...

  • THE DOUBLE IMAGE OF MODERNISM: MATISSE'S ETCHINGS FOR ULYSSES. Benstock, Shari // Contemporary Literature;Summer80, Vol. 21 Issue 3, p450 

    Illustrates the double image of modernism by the drawings of the artist Henri Matisse in the epic of 'Ulysses'. Suggestion for the ignorance of Matisse on the text; Denouncement of the drawings made by Matisse in the text; Contraction of the illustration in the text.

  • CHERISHED PAINTINGS: THE GELMAN COLLECTION OF MODERN ART. Julius, Muriel // Contemporary Review;Jun90, Vol. 256 Issue 1493, p324 

    The article focuses on modern art. Americans, whether European or home-grown, were and are prepared to take risks on the new, to be generous and to follow their taste in modern art. An exhibition of Near Eastern Art, which artist Henri Matisse saw in Munich in 1910 triggered a long series of...

  • Being Matisse. Munson, Steven C. // Commentary;Apr99, Vol. 107 Issue 4, p41 

    Profiles Henri Matisse, one of the towering figures of 20th century modernism in painting. Evaluation of his work `The Snail'; Family background; Comparison between Matisse and Pablo Picasso; Critical elements in creating pictures that tapped into the emotional life of the viewer.

  • Henri Matisse: Works on Paper. Peter, Carolyn // USA Today Magazine;Jul2001, Vol. 130 Issue 2674, p48 

    Focuses on the art works of nineteenth century artist Henri Matisse. Artistic styles used by Matisse in his artworks; Themes of art his artworks; His views on female models.

  • La Leçon de piano.  // Art Newspaper;Jan2016, Vol. 25 Issue 275, pXIX 

    No abstract available.


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics