TITLE

Steven Oshatz: Harvest Moon

AUTHOR(S)
Oshatz, Steven
PUB. DATE
April 1995
SOURCE
Surface Design Journal;Spring95, Vol. 19 Issue 3, p22
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
The article offers insights about the artistic technique of Steven Oshatz on his screen printing entitled "Harvest Moon." Oshatz declared that the incredible strength of silk opened his awareness of properties that allowed him to move away from conventional methods. The use of dyes on silk is the quality of color obtainable with the fabric. He revealed that in silk painting everything counts, thus accidents play an important part. The imagery in "Harvest Moon" is based on a series of paintings that Oshatz done over the past 25 years dealing with his personal relationships.
ACCESSION #
32209714

 

Related Articles

  • THE SCREEN AS CREATIVE CATALYST. Lohr, Ginny // Surface Design Journal;Spring94, Vol. 18 Issue 3, p6 

    The article discusses the significance of screen as a means of developing ideas and the various approaches of artists to screen. It examines the screen's potential for variations in image making, as investigated by professors Mary Anne Jordan, Susan Putnam and Clare Verstegen. The meaning of the...

  • Clare Verstegen: Time and Again. Strand, Laura // Fiberarts;Nov/Dec98, Vol. 25 Issue 3, p19 

    The article describes the artwork "Wait a Minute," created by textile artist Clare Verstegen. This work features three levels of natural time, including water flowing, leaves decomposing and stones enduring the ages, all of which are brought sharply into focus of human time by the presence of a...

  • Lola Fonseca: Painting on Silk in Madrid. Scheinman, Pamela // Fiberarts;Summer2000, Vol. 27 Issue 1, p28 

    The article features silk painter Lola Fonseca known for creating painted scarves in her studio/shop in Madrid, Spain. Customers are drawn in by silk georgette, squares of crepe de chine and double crepe, silk velvet shawls, and an assortment of men's silk ties. Silk and gold are signatures of...

  • Colour mixing. Southan, Mandy // Beginner's Guide to Silk Painting;1997, p14 

    The article outlines various combinations of silk paints and dyes to create good color mixing for silk painting.

  • DuPont's two new EL inks.  // Colourage;Jul2000, Vol. 47 Issue 7, p56 

    Reports on DuPont Microcircuit Components and Materials' introduction of Luxprint screen-printable inks.

  • What Went Wrong With My Screen Print?  // Wearables;Mar2013, Vol. 17 Issue 3, p40 

    The article discusses the common problems in screen-printing garments which include bleeding, dot gain, and dye migration.

  • The Value of Proofs.  // Impressions;Sep2013, Vol. 37 Issue 4, p67 

    The article offers tips on how to make screen printed proofs planning to offer by a screen printing company.

  • Linda Raffel. Raffel, Linda // Surface Design Journal;Spring93, Vol. 17 Issue 3, p24 

    The article presents the views of the author regarding her own art in the U.S. As a textile painter and art-to-wear designer, she uses her own fabrics for hangings, interior design applications and clothing as well as in all sorts of natural fabrics including leather particularly tussah silk, a...

  • Technical Page. CHIEFFO, CLIFFORD T. // American Artist;Oct1980, Vol. 44 Issue 459, p20 

    The article presents questions and answers related to art including ways to cut oval openings in mats, the chemical or method that can be used to change gold leaf to fine gold powder and the use of tube colors to experiment with silk-screen.

Share

Read the Article

Courtesy of VIRGINIA BEACH PUBLIC LIBRARY AND SYSTEM

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics