Carl Czerny'nin Opus 299/19 Numaralı Etüdünün Piyano Eğitimine Yünelik Analizi

Öztürk, Birsen
August 2007
Gazi University Journal of Gazi Educational Faculty (GUJGEF);2007, Issue 2, p241
Academic Journal
Etudes are methodical music compositions, usually based on a motif or figure in order to improve any difficulties in instrumental music. In this article, C. Czerny's Op.299, No. 19 piano Etude in F Major which is widely used in piano lessons at Music Departments of Education Faculties in Turkey is analyzed. The aim of this article is to make students learn this etude in very short time and to use analyze way as model in other etudes. In analyzing the etude, as a first step it was decided to analyze this etude by motifs, second step was to determine the technical difficulties and the third was to prepare technical exercises to solve these technical difficulties. In addition, by using these exercises, students can overstep easily this etude's difficulties.


Related Articles

  • Theme and Variation IN SOLO CONSTRUCTION. LORBER, JEFF // Keyboard;Mar2014, Vol. 40 Issue 3, p26 

    The article presents an improvised blues solo in F piano music composition. It examines the use and importance of theme and variation in solo construction and offers information on the micro and macro approaches. A sheet music for the said composition is also provided, along with details on...

  • Basic Technical Training for the Early Level Student. Blickenstaff, Marvin // American Music Teacher;Oct/Nov2006, Vol. 56 Issue 2, p27 

    The article provides a basic technical training for early level piano students. The Finger Twister of the Week, a series of finger numbers to be played in either hand, encourages rotation movement. The students first rehearse the exercise with hands in the air, singing the words as they rock the...

  • Students of all ages like pieces that they recognize. McArthur, Vicki // Keyboard Companion;Summer2006, Vol. 17 Issue 2, p37 

    The article provides information on the musical pieces that students of all ages prefer in their study of piano. Students of all ages likes pieces that they recognize, can be learned quickly and has the positive comments received from others. Although, adults view differs from younger students...

  • Backward Revolutionary.  // Time;4/14/1967, Vol. 89 Issue 15, p83 

    The article profiles French composer Olivier Messiaen. It mentions that Messiaen described himself as a born believer, musician and revolutionary. It states that he taught himself to play the piano at age of eight, and learned the scores of the operas "Don Giovanni," "Die Walkure," and "Pelleas...

  • STUART STOTTS: TELLING STORIES, SINGING SONGS.  // International Musician;May2011, Vol. 109 Issue 5, p20 

    The article focuses on the musical career of American guitarist Stuart Stotts in Madison, Wisconsin. It mentions his membership at The Local 166, where he first studied piano lessons and music theory and cites his enthusiasm in playing guitar and lyrics writing. It also denotes his interest in...

  • SIGISMUND TODUŢĂ AND HIS RELATIONSHIP WITH THE ART OF THE PIANO. Pop, Ninuca Oşanu // Musicology Papers;2011, Vol. 26 Issue 1, p18 

    This paper aims to demonstrate the implications of the thorough knowledge of the art of the piano in the context of the multifarious interests of the great composer Sigismund Toduţă. Gratefully confessing, in 1984, that the piano studies under the guidance of Professor Ecaterina...

  • True to His Own Song: Composer- Instrumentalist Philip Swanson. Burwasser, Peter // Fanfare: The Magazine for Serious Record Collectors;Jul/Aug2010, Vol. 33 Issue 6, p86 

    The article profiles American composer and instrumentalist Philip Swanson. He had the opportunity to work with the University of Illinois' jazz program at Urbana in 1969, and has maintained an involvement in the classical and jazz realms of music. In 1979, he studied piano and composition at...

  • FINGER INDEPENDENCE. Ragen, Jon // Keyboard;Apr2010, Vol. 36 Issue 4, p34 

    The article provides information on various exercises for playing keyboard. It states that the technical exercises focuses on a balance of stretching, stamina, speed, relaxation and finger independence. Moreover, it discusses several exercises which include parallel sixths which is great for...

  • TRIPLETS AND TRILLS. Brislin, Tom // Keyboard;Nov2006, Vol. 32 Issue 11, p42 

    The article presents daily piano exercises with finger combinations which can help players to build the chops they need to handle them. In the first piano exercise, one can work on finger combinations that does not sound like trills. In another exercise, both hands move in contrary motion....


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics