TITLE

CO-PRODUCTION GUIDE

PUB. DATE
September 2007
SOURCE
Daily Variety;9/10/2007, Vol. 296 Issue 49, pA34
SOURCE TYPE
Trade Publication
DOC. TYPE
Article
ABSTRACT
The article presents various companies who actively produce, finance or source finance for independent film productions in different countries. Telephone numbers, e-mail address, Web sites and contact persons for each company are also provided. Among these companies include Becker Entertainment and Sherman Pictures in Australia, Gullane Filmes and Panda Films from Brazil and Bac Films and Celluloid Dreams from France.
ACCESSION #
26579350

 

Related Articles

  • A Great Start for Baestarts.  // Animation;Oct2006, Vol. 20 Issue 10, p38 

    The article reports on the invitation of Budapest-based Studio Baestarts to animation producers for investment opportunities, co-production deals and original projects. The studio has gathered the top talents to work on high quality productions. According to Andras Erkel, managing director of...

  • California Split. Ascher-Walsh, Rebecca // Entertainment Weekly;09/10/99, Issue 502, p36 

    Focuses on the growing popularity of coproducing motion pictures in California. Comments from movie producers; Negotiation between MGM/United Artists and novelist Charles Frazier; Examples of coproduced films.

  • HITTING THE ROAD. Eshkol-Rokach, Yoram // Sight & Sound;Jan93 Supplement, Vol. 3 Issue 1, p18 

    Recounts an author's experience as a soldier trying to get into the army's film unit due to the desire to make films in Lebanon. District conflicts between the government and military leadership due to prolonged stay in the country. Employment of director of prize-winning documentaries Eli Cohen...

  • The Rio AND "COMMUNITY CINEMA". Cubitt, Sean // Framework: The Journal of Cinema & Media;Spring84, Issue 24, p2 

    The article provides an overview of the Rio Cinema in London, England. Tagged as a community cinema, the Rio aims to characterize and serve the people of Hackney and is set to become one of the centers of cultural expression in the country. To fulfill this mission, the cinema has started to work...

  • Boom days for U.K. pic business. Bennett, Ray; Pryor, Peter // Hollywood Reporter -- International Edition;1/13/2004, Vol. 382 Issue 7, p50 

    Overseas cash flowing into the British film business shot up in 2003, with movies tallying £729.5 million, nearly triple the previous year's £265.9 million, according to figures released by the government-backed strategy and financing body the U.K. Film Council. According to the Film...

  • OZ PRODUCERS SPLIT ON HASSLES OF CO-PROD'NS. Groves, Don // Variety;6/14/2004, Vol. 395 Issue 5, p18 

    Discusses the complaints of Australian movie producers Tony Buckley and Jane Scott regarding the co-production of motion pictures in Great Britain. Reason for the complexity of co-producing a movie in Great Britain; Implications of legal regulations for movie production; Time and cost issues to...

  • Nationalistic love will tear us apart. Goodfellow, Melanie // Variety;11/28/2005, Vol. 401 Issue 2, Special Section pA2 

    The article reflects on the implications of the nationalistic film policies in Europe for the European co-production of films. The increasing trend in co-production have influenced a number of European governments to tighten co-production stipulation and refocus tax shelters and subsidies....

  • Co-prod'ns a better bet in Europe. Hollinger, Hy // Hollywood Reporter;10/22/2008, Vol. 407 Issue 3, p3 

    The article offers information on the better business and economic performance of motion pictures co-produced in Europe. A study by the European Audiovisual Observatory determines a better flow of films that were part of European co-productions. Specifically, it notes that European co-production...

  • Making a co-production of it. Frater, Patrick // Hollywood Reporter;6/17/2009, Vol. 410 Issue 13, p4 

    The article discusses the benefits of motion picture co-productions to the movie industry of China. It cites Tong Gang of the State Administration of Radio Film and Television, noting the prospects for film co-productions and revealing figures about the revenue of co-production films in 2008....

Share

Read the Article

Courtesy of THE LIBRARY OF VIRGINIA

Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics