Fortin, Sylvie
March 2005
Art Papers Magazine;Mar/Apr2005, Vol. 29 Issue 2, p24
The article discusses the work of artist Fatimah Tuggar using digital imaging as a tool for her montages depicting contemporary Africa. According to the author, digital imaging enabled Tuggar to redistribute labor, reallocate spaces and reassemble African and Western relations with pointed precision. Photomontage illustrates some of its attraction for Tuggar.


Related Articles

  • ANALOG GIRLS in a DIGITAL WORLD. Hamilton, Elizabeth // Nka: Journal of Contemporary African Art;Fall2013, Issue 33, p70 

    The article explores the works of Nigerian visual artist Fatimah Tuggar from the perspective of an Africanist art historian. It examines the theoretical and aesthetic relationship of Tuggar to Afrofuturism as a strategy that subverts ideas of traditional African art and culture. It also cites...

  • AFRICAINE. Murray, Soraya // Nka: Journal of Contemporary African Art;Fall/Winter2002, Issue 16/17, p88 

    The article reviews the exhibition "Africaine: Candice Breitz, Wangechi Mutu, Tracey Rose, and Fatimah Tuggar" at the Studio Museum in Harlem, New York City from January 24, 2002 to March 31, 2002.

  • Fatimah Tuggar at Greene Naftali. Kino, Carol // Art in America;Sep2001, Vol. 89 Issue 9, p155 

    Highlights the exhibition of sculptor and installation artist Fatimah Tuggar at the Greene Naftali Gallery in New York City. Style and technique; Medium used; Artistic influence.

  • The rise of photomontage in contemporary Middle Eastern art. Das, Jareh // Contemporary Practices: Visual Arts from the Middle East;2012, Issue 11, p66 

    The article presents an essay on the rise of photomontage in contemporary Middle Eastern art. The Ottoman Empire's beginnings during the early twelfth century is a significant moment of interest in the development of art as well as architecture of the Arab world. Photomontage involves a...

  • METHOD OF PHOTOMONTAGE DETECTION UNDER CONDITIONS OF LIMITATIONS ABSENCE FOR PHOTOS FALSIFICATION. Zorilo, V. V.; Lebedeva, Ye. Yu.; Kozina, M. O.; Belush, D. S. // Odes'kyi Politechnichnyi Universytet PRATSI;2016, Vol. 49 Issue 2, p84 

    The widespread using of fake pictures in information wars, lawsuits, politics, etc., needs to develop new detection methods of photomontage. One of them is a method of photomontage detection based on the analysis of singular values of matrix blocks of digital images. Aim: The aim of this...

  • Splice of life. Ewen, Stuart // Art in America;Feb1993, Vol. 81 Issue 2, p42 

    Examines photomontage, as an artistic practice and as a means of interpreting life between the wars, in a traveling exhibition that originated at the Institute of Contemporary Art in Boston. `Montage and Modern Life: 1919-1942'; German sociologist Georg Simmel; Details of the kaleidoscopic...

  • Heartfield's Photo-Grenades. Taylor, Sue // Art in America;Jun/Jul2006, Vol. 94 Issue 6, p156 

    The article highlights the popularity of satirical photomontage by German artist John Heartfield, which was mass-produced in newspapers and on posters, in efforts to battle the forces of reaction and hypocrisy during the European interwar period. Heartfield appeared to late 20th-century...

  • AGITATED IMAGES: JOHN HEARTFIELD AND GERMAN PHOTOMONTAGE, 1920-1938. Baker, George // Aperture;Winter2006, Issue 185, p14 

    The article reviews the traveling exhibition "Agitated Images: John Heartfield and German Photomontage" from 1920 to 1938.

  • The art of montage or things that never were. Burke, Lorette // PSA Journal;Jul95, Vol. 61 Issue 7, p26 

    Discusses the art of `sandwiching' or montaging slides or pictures to create a colorful and interesting background. Applications; Use of photographer's imagination; Use of a strong object on a plain background; Making title slides.


Read the Article


Sorry, but this item is not currently available from your library.

Try another library?
Sign out of this library

Other Topics